Posts Tagged ‘Trent Jamieson’

Ten Things I’ve Learnt about Writing about Death

I’ve written about Death a little bit these last few years, just in case you hadn’t noticed, and I’ve learnt a thing or two, or (to tie in with the title) ten.

 

1. People have to die.

Or Death just twiddles its bony thumbs, and starts a lawnmowing business. And then people die either of boredom, or because you’ve kind of ripped off Terry Pratchett a little bit, and you’re answering emails asking if you realized that that was the plot of Reaper Man (sort of).

 

2. Death isn’t a joke.

Death can be cruel, ridiculous, and tragic, but if you treat it as a joke, it becomes meaningless. I was writing comedy, but not farce. Death’s the punchline, but it isn’t the joke. Though sometimes you just want to tell the one about Death walking into the bar – it’s a real killer.

 

3. Death wants all the cool lines.

Seriously, it does. I think the moment a character says, “ I am Death,” there’s a certain amount of inescapable gravitas. Though if it then reveals that it can’t really play chess all that well you’re undercutting it a bit – unless you have this story where Death has entered a chess tournament in order to win enough money to say an orphanage from evil property developers. Remember, with cool lines comes great responsibility.

 

4. Not everyone dies every day.

Even in a book about Death. Death itself isn’t a story, it’s an ending, or a beginning (depending on how you want to look at it). People die, people live to die another day, or something like that.

 

5. Death isn’t dying.

Death really isn’t dying – dying through illness or accident is the sort of stuff life manages (you’ll notice how life doesn’t usually bother with the proper noun, it figures it doesn’t need the capitalization to sound important, life’s a bit smarmy). Death can be an ending to suffering. It’s not the suffering itself. People often get the two mixed up. Which is why Death is frequently regarded as an object of horror, or even a monster. But don’t blame the messenger. Death’s really just there to keep the dead company until they pass onto the other side/place/state of being – it even keeps a game of travel Scrabble in the pockets of its cloak*.

 

6. Death hasn’t had a pale horse since it bought its first car in 1928.

 Hardly surprising, I mean, horses are high maintenance, and my Death lives in a city that isn’t exactly horse friendly, and when was the last time you saw a stables outside a morgue, mortuary, gym or anywhere else in town?

 

7. People have been writing about Death since writing began.

Death, the Underworld, and dying they’ve been obsessions of people and cultures for a very long time. I guess that’s what happens in a world where things die. There’s a rich history of Death in mythology and popular culture. Everything from Ankous to Psychopomps and sparrows. Actually you’d be hard pressed to find anything that hasn’t been used as a symbol of death – except, maybe toothbrushes.

 

8. Scythes are kind of cool.

They really are, there’s lots of excellent words that concern themselves with scythes, like did you know that the shaft of a scythe is called a snath? And that to lop something off is to snathe. Next time you get a haircut tell them you want a thorough snathe, make sure they finish well above the neck.

 

9. Death is a good dancer.

Well, actually, no. Not that that matters because the Danse Macabre is really just a conga line, and that’s easy as long as you can kick in time with the music.  However, Death has an exceptionally awesome taste in music. At least in my books it does. Every good death needs a brilliant soundtrack (hmm, I think I have the subject of my next blog post).

 

10. When writing about Death, you’re really writing about life.

Death is meaningless without life. You don’t get a great ending, narratively speaking, without something at stake – usually the bigger the better. In the Business of Death all life on Earth is threatened by an ancient and very angry god. There’s a great deal of irony involved when only Death can halt the Apocalypse. But I guess it’s true what they say there’s only two things you can count on in this life Death and taxes, and when did the taxation department last save the world?**

 

*This may not be Death Works canon.

 

**I’m sorry, I’m sure the Taxation Department is always saving the world. In fact, if there isn’t a series about a Paranormal Tax Investigation Agency there should be – just send me four percent of the royalties.

Cover Launch: THE BUSINESS OF DEATH by Trent Jamieson

People often ask me, how do I find artists for books. And there’s never one good answer…I try to stay on top of established scifi and fantasy artists through places like Spectrum and assorted illustration annuals. I also like to keep an eye on people working more in the fine-art and urban art realm thru mags like Juxtapoz and Hi Fructose. I have a long history in comics (yes I was a Comic Shop Girl) and I pull artists across the divide between comics and books. Agents send me updated work from artists constantly. And facebook, believe it or not, has been a great tool for me to find emerging artists.

The real problem isn’t finding good artists, it’s wishing I had enough good projects for all the fabulous artists I know of! And I love getting people who haven’t worked on a lot of book covers to work on a cover for me, I think it keeps the art really fresh. So I am always walking around with a “dream team” list in the back of my head. And David Seidman was on that list for a while…until I heard that we were going to do an omnibus edition of Trent Jamieson’s Deathworks Series, and I knew he would be perfect for it. I’m not sure where I first saw David’s work. It was either on facebook or it was his Coheed and Cambria picture disk. Either way I just had a gut feeling he would have a fabulous take on these books, which is kind of a little Constantine by way of The Office. Or Office Space, actually. We really wanted to capture the bored sick-of-this-damn-cubicle attitude, while showing a bit of the supernatural. If you want to get a good intro you can read the opener here.

As you’ve been reading over the last few cover posts, I love doing omnibus editions. I like them as a fan, there’s nothing better than getting a big honking bible-sized edition of a series, and as an art director, I love getting a chance to reinvent a character. This redesign started with shooting the right photo reference with Shirley Green. (Often an artist shoots his own reference photo, but the editors and I had such a strong sense of what we wanted that I art directed the shoot then sent the images we picked to David). We had a heck of a time finding the right model. We knew we wanted someone out of the vein of beefcake, someone cool, who could look so very fed up and a bit pissed. And look good in a suit, of course! But we settled on Jonathan Taylor and he was a great model, and totally a geek too, which makes it all so much more fun. Anyway then we picked poses we liked in-house, then sent the winner to David. He & I went back a bunch talking about tone and color, and he produced this fabulous illustration. So enjoy BIG after the jump, along with some shots of the various stages. And a teaser, of course…

(more…)

Welcome to Hell

I’ve got this book out. It’s called Death Most Definite (UK | US | AUS),  and it’s about Death and it’s set in Brisbane and Hell. That’s Brisbane, Australia (not Brisbane, North Dakota, which Wikipedia informs me is a ghost town, so it would have been kind of appropriate).

Most of you have an idea of where the Hell is, but, probably, not so many would know about Brisbane.

So here’s what you need to know.

It’s Australia’s third most populous city.

The outer eastern suburbs rub up against the coast, the inner suburbs cluster around Mt Coot-tha (a low mountain, really more of a hill, that I can see from my window as I type this). And all through it the Brisbane River winds– a tributary of the River Styx, but then all rivers are. (more…)