Archive for Contents

It’s time to wake up. LOVE MINUS EIGHTY is available now.

Love-Minus-EightyToday is the worldwide release of LOVE MINUS EIGHTY (US | UK | AUS) by Hugo Award-winning author Will McIntosh. Will is a truly original voice in SF and with this novel he’s given us a terrifying, uplifting, daring, and compulsively readable vision of where our path is leading.

Three hundred years in the future, technology has extended the lives of the rich and attractive decades. The wealthy can arrange to be reanimated multiple times, while in cryogenic dating farms, dead women await lonely suitors to resurrect them and take them home. In this big-hearted novel, the lovelorn navigate a world in which technology has found the outer limits of decency and love.

LOVE MINUS EIGHTY explores a time where we are completely entangled in social media, where life is a performance and privacy has lost all meaning, where our romances and relationships are choreographed in secret, and freedom is found in the ever-shrinking spaces off the grid. A time we can all relate to.

Read a sample, look at the amazing trailer and here is just some of the glowing praise the book has received so far:

(more…)

Cover Reveal: HOW GREEN THIS LAND, HOW BLUE THIS SEA

Get ready to put those survival skills to the test and return to the world of the bestselling Newsflesh Trilogy. HOW GREEN THIS LAND, HOW BLUE THIS SEA is an all new digital novella by Mira Grant, but this time we’re headed to the outback. And yes, yes that is a zombie kangaroo (thus setting a new definition for the word awesome). Check out the cover and synopsis below, and pre-order your copy today from your preferred retailer.

howgreen-highrez

Synopsis: Post-Rising Australia can be a dangerous place, especially if you’re a member of the government-sponsored Australia Conservation Corps, a group of people dedicated to preserving their continent’s natural wealth until a cure can be found. Between the zombie kangaroos at the fences and the zombie elephant seals turning the penguin rookery at Prince Phillip Island into a slaughterhouse, the work of an animal conservationist is truly never done–and is often done at the end of a sniper rifle.

 

June Events

In June, we have bookstore events for two great new books! If you’re in the area, be sure to stop by.

Abraham_TyrantsLaw_TP Elliot-Cold Steel-TP
(US | UK | ANZ)                                      (US | UK | ANZ)

Saturday, June 8
Daniel Abraham @ Alamosa Books, Albuquerque, NM, 3 PM

Thursday, June 27
Kate Elliott (with Katherine Kerr) @ Borderlands, San Francisco, CA, 7 PM

Saturday, June 29
Kate Elliott (with Andy Duncan) @ Mysterious Galaxy, San Diego, CA, 2 PM

Check back next month for more of Kate Elliott’s events for COLD STEEL!

“I Don’t Mind Being Punched in the Face” – by Matthew Stover

Heroes Die, book 1 in the the Acts of Cain gritty heroic fantasy series Acts of Caine, by Matthew Stover, in a piece on martial arts called "I don't mind being punched in the face"The Good Folk at Orbit invited me to write another post for the site here, and my editor suggested I might touch on my experience as a student – and occasional instructor – of martial arts, and how that study has influenced my work, especially in the Acts of Caine.

People who enjoy my work often speak of how much they like the way my books depict personal combat – one prominent blogger memorably commented that “All of Stover’s heroic fantasies offer fight scenes of such crippling power that they risk hospitalizing incautious readers” – and many fans and reviewers attribute this to my (presumed) martial arts expertise. Which is true to a degree, though somewhat misleading. It does help – but perhaps not in the way you might expect.

For example, the arrow of causation points mostly in the other direction. I don’t do fight scenes because I love martial arts, I do martial arts because I love fight scenes.

And let’s be clear: what makes a fight scene good has very little to do with choreography. A good fight scene does everything a good scene of any type does: engages imagination, reveals character, advances plot and illuminates theme. There are, in my novels, a lot of fight scenes (‘cuz like I said, I love ‘em) and many of them do not involve characters most readers would recognize as highly-trained martial artists. Caine is one, yes, as are Anakin Skywalker, Obi-Wan Kenobi and Mace Windu . . . but most of the rest involve characters with varying degrees of experience and natural aptitude trying like hell to get out of dire situations without getting killed.

Look:

I like hitting people. I also like kicking people, kneeing them, doing (potentially) crippling things to their joints as well as occasionally throwing them across a room, not to mention stabbing them with (rubber) knives and slashing them with (rattan stick) swords. This is not, it should be noted, actual combat. It’s recreation. All in good fun, and when it’s done properly, no serious injuries occur.

Also look:

I often write about people who like these things I like, except many of these people are missing an essential circuit-breaker in their brains. These are people who are bored by the merely recreational. Who only take it seriously if someone’s life is on the line. Who have made violence not only their profession, but their lifestyle. Some are mercenaries, some are jihadists, some are psychopaths. At least one is a performance artist. None of these categories are, you will note, mutually exclusive. (more…)

ABADDON’S GATE: a literary blockbuster of epic proportions

abaddons-mockup “Abaddon’s Gate is literary space opera at its absolute best…” io9 

Things started simply enough: a ship is found mysteriously abandoned by its crew, but we’ve all watched and read enough space adventures to know that nothing is ever quite so simple. With each twist and page-turning sequence, the Expanse series has grown to become an absolute gem of the subgenre and today, the latest novel ABADDON’S GATE (US | UK | AUS), begins hitting bookshelves. Daniel Abraham and Ty Franck, the writing team behind James S.A. Corey,  knocked it out of the park once again as you’ll see in the terrific reviews the novel has already gotten.

Check out the James S.A. Corey Facebook page to read the first few chapters and whet your appetite until you get a hold of your own copy. If you haven’t taken the leap yet, here’s an excerpt from LEVIATHAN WAKES ( US | UK | AUS).

As an extra treat, we made a set of wallpapers from the stunning cover illustration by Daniel Dociu. Enjoy!

 1024 x 768 | 1280 x 800 | 1440 x 900 | 1680 x 1050 | 1920 x 1200 | iPhone | iPad | Facebook

Praise for ABADDON’S GATE

“High adventure equaling the best space opera has to offer, cutting-edge technology, and a group of unforgettable characters bring the third installment of Corey’s epic space drama (after Caliban’s War and Leviathan Wakes) to an action-filled close while leaving room for more stories to unfold. Perhaps one of the best tales the genre has yet to produce…” Library Journal (Starred Review)

“Corey (a shared pseudonym for Daniel Abraham and Ty Franck) delivers a politically complex and pulse-pounding page-turner to continue the Expanse space opera series.” – Publishers Weekly (Starred Review)

“Courageous and audacious, with short chapters, smart characters, and a snappy narrative, it’s leaps and bounds bigger and better than the vast majority of space opera. And the fun is undoubtedly far from done.” – The Speculative Scotsman

On co-authoring a novel set in the world of ENDER’S GAME . . .

EARTH UNAWARE, book one of the First Formic War, by Orson Scott Card and Aaron Johnston, set 100 years before Ender's Game, which will be released as a major motion picture in October 2013 starring Harrison FordToday sees the release of EARTH UNAWARE (UK|ANZ) and EARTH AFIRE (UK|ANZ), books 1 and 2 of The First Formic War, set 100 years before ENDER’S GAME.

Orson Scott Card co-authored these novels with Aaron Johnston – a bestselling author and associate producer on the upcoming Ender’s Game movie. To celebrate the release, we asked Aaron what it’s like to write within such a well-known and much loved world . . .

When Orson Scott Card asked me to coauthor the prequel novels to his science-fiction classic Ender’s Game, my first two thoughts were: (1) Wow, what an incredible honor, and (2) You better not screw this up, Johnston, or fans will hunt you down and toilet paper your house.

We fans can be a prickly lot. Especially when it comes to stories that hold special significance to us, as Ender’s Game does to millions of readers. I’ve read Ender’s Game more times than any other work of fiction, and whenever anyone asks me for a book recommendation, the first words out of my mouth are always, “Have you read Ender’s Game?”

For me, Ender’s Game was the first book I ever read wherein the characters didn’t feel like characters at all but rather like friends and kindred spirits. Bean, Dink, Shen, Valentine, Ender. They were all so believable and honest and distinct that when I stepped into their world, my own world melted away.

Earth Afire, book two of the First Formic War, by Orson Scott Card and Aaron Johnston, set 100 years before Ender's Game, which will be released as a major motion picture in October 2013 starring Harrison FordI don’t presume to suggest that our books will have the same effect on readers as Ender’s Game does. Only Ender’s Game can produce the experience it provides. But I do hope that our novels will feel like they belong in the Ender universe. That was my goal from the beginning. “If we do this,” I told Scott, “I want it to feel like an Orson Scott Card novel.” And by that I mean: when fans read the book, I didn’t want them to distinguish between the parts I had written from the parts Scott had written. I wanted it to feel seamless.

That’s a lofty goal, I know. Only OSC can write like OSC, after all. But I felt as if we owed it to fans to provide a new and exciting adventure story that also felt like a member of the Ender universe.

In fact, it was so important to me that the books sounded and felt like other OSC novels that before I started writing each day, I would usually pick up an OSC book and read a chapter or two just to get my mind in a place that spoke in the voice and rhythm of Orson Scott Card. Scott has a gift for writing in third-person, limited point-of-view that allows for deep characterization without abandoning the pace. I’m not conceited enough to suggest that I do it as well as he does, but I certainly tried. The biggest compliment I have received thus far is when one fan called the series “classic Orson Scott Card.”

But of course this is a collaboration. And since Orson Scott Card rarely collaborates with other authors, fans naturally have a lot of questions. What follows are my answers to the questions I most often hear. (more…)

How to Build a Fantasy World: The Greatest Fantasy Cities

There’s something about cities in science fiction and fantasy. I mean I love the countryside myself, born a country girl, but anyone can write it – there’s only so much you can do without it coming across as odd or unbelievable (unless you’re a genius, obviously).

But where people, or aliens, get involved, anything can and does happen. In real life, and in fantasy. So, I love fantasy cities, towns, places that people have made, because they reflect the people who live there and, crucially, how they think.

So, a few favourites . . .

The Fellowship of The Ring by J. R. R. Tolkien, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black Tolkien has his flaws but being unable to build believable yet fantastical cities is not one of them. I’d would love, I mean give an arm or something, to walk the ways of Rivendell, to see the Mallorn in Lothlorien, behold the golden hall of Meduseld in Edoras, wind the twisting streets of Minas Tirith. They are clearly fantasy posing as historical (okay, except the elves) but they feel so . . . real. Like they really do exist somewhere, I just haven’t found them yet.

The Lies of Locke Lamora by Scott Lynch, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to BlackOther cities come near to that status in my mind (hey, you never forget your first love). Camorr, from Scott Lynch’s The Lies of Locke Lamora – with its waterways, its dark and grubby underbelly, its Renaissance feel. A city that works, even though I know its fictional.

London Below, of Gaiman’s Neverwhere, a London that feels almost, just not quite, the real one. As though if I scratched the surface on say Bakers Street, I’d find the Marquis, and all the rest, just waiting for me.Neverwhere by Neil Gaiman, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black

Discworld’s Ankh-Morpork, which is so real to me I can smell the river when I open the pages of the book. Or maybe it just stinks that much! The little nooks and crannies that are a hallmark of an old, old city, the weird ways that seem normal to inhabitants but make outsiders wonder what drugs they must be on.

The thing that, I think, connects all these cities is their internal consistency. They work, such as they do, because thought has gone into working out how they work and why, factoring in how odd people tend to be. And each little factor just adds to the realness of the city.  Of course Ankh-Morpork has a thieves guild. Because it’s a city of moneymakers, and that’s a perfect example of taking what is there and squeezing it till gold coins fall out. The Elder Glass of Camorr shows us a city where things are not always as they seem, that even the city itself has two faces.

The Hobbit by J. R. R. Tolkien, in a piece on fantasy worldbuilding by Francis Knight, author of Fade to Black Minas Tirith and Edoras reflect the men and women who live there – on constant guard, where skill at arms isn’t just posturing, it’s necessary, and so are the defences and the oaths and honour the people who live there take so very seriously, and for good reason – oaths and honour are perhaps all that have kept them alive all this time against what lies to the East. Hobbiton, by contrast, reflects the hobbits – laid back, little thought to anything much except is it pleasing, to eye or stomach?

Fade to Black, book one of the Rojan Dizon fantasy book series by Francis Knight - in a post talking abotu the worldbuilding of Tolkien, Scott Lynch and Terry PratchettSo when I started ‘building’ Mahala for Fade to Black, I tried to make sure the city informed the people, and the other way around. My main character Rojan Dizon is who he is – a sardonic, womanising bounty hunter – at least in part, because of where he lives. I doubt he’d be such a cynic if he lived in Hobbiton. The very fact of the way the city is run, the geography of it, the politics of it, and how that affects him, has helped turn him into who he is. Anywhere else, Rojan’s brother Perak might have just been some amateur daydreamer who likes playing with things (and would have probably long ago blown himself up!), but due to Mahala’s reliance on alchemy, he’s given everything he needs and is told to go and invent things. Which he duly does, and then changes the city forever when he invents the gun.

That’s what makes a fictional city work or fail for me – it works, in context, with the people who inhabit it, they showcase each other. They just fit.

 

***

Francis Knight’s debut novel FADE TO BLACK (UK | US | ANZ), book one of the Rojan Dizon novels, is out now. Book two, BEFORE THE FALL (UK | US | ANZ), releases on 18th June this year. The third and final novel, LAST TO RISE, releases in November 2013.

Fade to Black, book one of the Rojan Dizon fantasy book series by Francis Knight - in a post talking abotu the worldbuilding of Tolkien, Scott Lynch and Terry PratchettBefore the Fall, book two of the Rojan Dizon fantasy book series, following Fade to Black, by Francis Knight - in a post talking about the worldbuilding of Tolkien, Scott Lynch and Terry PratchettLast to Rise, the third and Final Rojan Dizon fantasy novel by Francis Knight, following FADE TO BLACK and BEFORE THE FALL

 

 

 

 

PARASITE: Join us at SymboGen.net

symbogen-twitter2A decade in the future, humanity thrives in the absence of sickness and disease. We owe our good health to a humble parasite – a genetically engineered tapeworm developed by the pioneering SymboGen Corporation.

This Fall Mira Grant debuts in hardcover with PARASITE (US | UK) – a new series from the bestselling author of the Newsflesh Trilogy. In anticipation of the big release, SymboGen is opening its doors to you.

Visit SymboGen.net for news and product information about the revolutionary Intestinal Bodyguard or follow the corporation on Twitter. On the website, you’ll also be able to pre-order your copy of PARASITE and sign-up for alerts about Mira Grant’s publishing activity.

For those of you attending BEA today, we’re giving away galleys of PARASITE and antibacterial hand sanitizer while supplies last. Look for the “friendly” SymboGen staff at booth #1828 for assistance.

parasite-giveaways

Urban Fantasy Interview Swap: Amanda Carlson Interviews Nicole Peeler

Today Amanda Carlson, the author of HOT BLOODED (US | UK | AUS), interviews Nicole Peeler about TEMPEST REBORN (US | UK | AUS) and the last Jane True novel.

amanda-nicole-interview

Amanda Carlson: I love Jane True and your writing voice. She’s witty, quirky and lovable. How did you come up with the idea to write a half selkie heroine?

Nicole Peeler: Thanks, Amanda! I’d fallen in love with the mythology as a teenager, and I’d always wondered about what happened to the half-human, half-selkie children that often feature in these myths. So when I realized I wanted to write a character that wasn’t naturally “kick-ass,” the answer was pretty obvious. Seal shapeshifters are definitely not naturally kick-ass!

AC: In the TEMPEST REBORN, without giving too much away, does Jane get snuggle time with Anyan?

NP: Absolutely. I knew I’d be beaten to death by Jane’s fans if that didn’t happen.

AC: You have a PhD in English Literature and teach Popular Fiction at Seton Hill University, which sounds like an amazing job! What’s the most fun assignment you’ve given your students?

NP: The most fun was working with undergraduates, creating World Building Books for an Urban Fantasy course I taught. They had such amazing ideas! And it was fun to watch them realize they could do just that—create a whole world.

AC:  You just bought a house! That’s a big, exciting step.  Tell us about it.

NP: It’s soooooo nice! I keep having to rein myself in from having my every Facebook post be “OMG I LOVE MY HOUSE.” I’m also really loving Pittsburgh. It’s super up-and-coming, so you can really get involved with things. I’m going to help plant a tree irrigation system for Tree Pittsburgh this weekend and I’m stupidly excited about it.

AC: The TEMPEST REBORN is Jane’s last adventure. What’s up next for you? (We hope more fantasy!)

NP: I’m not sure yet, honestly, but yes. All my ideas are inevitably fantasy. It’s funny that I read so much literature but I think in dragons. I’m not sure why! But I do love the genre.

AC:  Here are some fun quick bullet questions to end.

Ice cream or sorbet: Both!

Breakfast or dinner: Both!

London or Paris: OMG both.

Beer or margarita: YEAH, both. I don’t really limit myself too much, in case you couldn’t tell.

Cats or dogs: Neither. I travel too much.

Spring or fall: Either, as long as it’s not winter or summer.

The Walking Dead or Game of Thrones: MAD MEN. (I’m not very good at this game, am I? But I loved playing!)

Urban Fantasy Interview Swap: Nicole Peeler Interviews Amanda Carlson

Both Jessica McClain and Jane True are back this season with new books from Amanda Carlson and Nicole Peeler. In the first of a two part series, Nicole is here to interview Amanda about what’s in store for Jessica in HOT BLOODED (US | UK | AUS).  Join us later in the week to get the full scoop from Nicole on the final Jane True novel, TEMPEST REBORN  (US | UK | AUS). 

amanda-nicole-interview

Nicole Peeler: Hi Amanda! Love the series, and super psyched you’re doing so well. But how on earth did a nice girl from Minnesota come to write about werewolves?? ;)

Amanda Carlson: We love wolves here, but alas, they are of the timber wolf variety. There are so many forests up in northern Minnesota I always pictured it as a perfect setting for werewolves to lurk undercover. But this MN girl ultimately chose werewolves purely because of their hot blooded feistiness. Nothing like a hot blooded man to warm your bed. Something about them has always been primal to me.

NP:  Obviously, werewolves are a much loved and much used mythology. So what did you think you could bring to werewolves that other people couldn’t? Or was that even an issue for you?

AC: I really feel like I’ve brought something new to the genre with Jessica, but when I started writing the first book years ago the market wasn’t saturated. I had no issues. I wrote the kind of story I wanted to read and nothing more. My biggest mistake was letting it sit for over a year. I suffered from the most common writer anxiety—is it good enough? Will people like it? So when I finally polished it and decided to query, there was a fear I may have missed the “werewolf” window, LOL!  Being new to the game, I had no idea it took a year and a half to two years to get a book on the shelf.  But my agent assured me there was always a market for a good story and I believe in that wholeheartedly. I’ve found that readers don’t really care who the protagonist is, or what their power is, most of them are just looking for a great read.

(more…)