Archive for Contents

He Said, She Said

I decided pretty early on, when I first was playing with the elements of what would become the universe of ANCILLARY JUSTICE (US | UK | AUS), that the Radchaai wouldn’t care much about gender, and wouldn’t mark people’s gender in their speech. Not because I wanted the Radch to be any kind of prejudice-free utopia–far from it.* But because I (somewhat naively) thought it would be interesting.

It actually took me a while to realize what a can of worms I was opening. To some extent, I’m still realizing it. But at first, I was faced with a purely mechanical problem–how to portray a society that just didn’t care about gender, while I myself was using a language that required me to specify gender at every turn. It’s pretty much built into English to specify a person’s gender, even when it’s is totally irrelevant to the topic at hand, and it’s difficult–not impossible, mind you, but difficult–to talk for very long about a person without mentioning their gender. **

At first I tried just asserting that Radchaai didn’t care about gender, and then using gendered pronouns throughout. I was unsatisfied with this. (And unsatisfied with those first couple of novels, which are in a drawer hidden from view until further notice. Only a few people have seen them.) I became more unsatisfied with it the longer I considered it, in fact. In the end I decided to pick one pronoun (at least for the sections where, presumably, my narrator is speaking Radchaai) and stick with it in all cases.

Often people assume (wrongly) that “they” as a singular pronoun isn’t “proper” English. It is in fact entirely grammatical and available to use. It’s most often used to refer to a nebulous “someone” whose ambiguous existence makes gender difficult to guess, but there are an increasing number of recent examples of singular they used in cases where gender is known and/or not a simple matter of either/or.*** I could have used it for Ancillary Justice, but it didn’t feel right. I’m not a hundred percent sure why.

I could have chosen any one of the ungendered pronouns that have been proposed over the years. This also would have been entirely workable. And inclusive–though we’re used to thinking of gender as an obvious either/or, male/female, really things aren’t always that clearcut. On the minus side, using any of those pronouns would have made getting into the story difficult for readers unfamiliar with them, at least at first. This is not a reason to never use those pronouns, of course, but I admit it was a consideration for me here.

I could have gone with the old standby, “the masculine embraces the feminine,” and just called everyone “he.” This is, in fact, the choice made by Ursula K LeGuin when she wrote The Left Hand of Darkness (Which is awesome, and if you haven’t read it, it is my considered opinion that you should.) Years later, she expressed some dissatisfaction with having made that choice. It made the Gethenians seem to be all male, which they were not, and failed to convey their non-binary nature. (more…)

The Making of a Cover: Photographer & Illustrator

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

So far we have talked about the first real step of a book, Acquisitionand then what goes into Cover Briefing. Then we let our minds wander and collect inspiration and form Directions for the cover. After a period of brainstorming, it’s time to pick how the art is going to be made, and contact a Photographer and/or Illustrator.

I’m going to let Kirk Benshoff, who was also working on the Art Direction, and would ultimately do the Cover Design, to take it from here:

As I was reading over the cover briefing form in the launch meeting and listing to Devi talk about the Shadowdance series, my mind immediately went to Crouching Tiger, Hidden Dragon. I had this image of the covers showing a martial artist, in mid-move, getting the beauty of the fighting style and in postproduction introducing the brutal and badass.  I felt these books needed to be photographs to give a connection to Haern that illustration wouldn’t have. I want Haern to be alive. I want to see people dressed like him at Comic Con.

dalglish-covermath-webI did do some research looking for illustrators as well, to show different directions. And even though I had some amazing talent on the docket, I still had the photo shoot on the forefront of my brain. I knew the photo option would be the most badass direction and I also knew it would be an enormous amount more work and expense to pull it all together as well as I could imagine it in my head.

Game on! ;) (more…)

DOG-GONE by Elliott James: read it free for thirty days!

“Grab some snacks and settle back as splendid debut author James serves up a Prince Charming tale yanked sideways.” – RT Book Reviews

Who is John Charming? That’s a complicated question best answered by the man himself, but what I can tell you is that CHARMING and its connecting short fiction are tremendous fun. Here is a free preview of one of Elliott James’s short fiction, a prequel story to the upcoming novel CHARMING.

Somewhere in Alaska a locked house full of ripped apart bodies and one teacup poodle covered in blood. Somewhere in Alaska, the voice of a dead woman speaks through a car radio. And somewhere in Alaska, the last surviving descendant of one of John Charming’s only friends is being pursued by nightmare hounds. The dog days have begun.

DOG-GONE will only be available on OrbitBooks.net for a limited time. After that, you’ll have to wait until February to purchase a copy for your e-reader, but we’re convinced that once you’ve been introduced to the series, you’ll be anxious for more. We’ve gotten some terrific reviews for the first book. If you like urban fantasy, CHARMING is a “must read” this September.

Read DOG-GONE by Elliot James or check out the newly released short story, DON’T GO CHASING WATERFALLS.

More Praise for CHARMING:

“This debut introduces a self-deprecating, wisecracking, and honorable-to-a-fault hero who can stand up to such established protagonists as Jim Butcher’s Harry Dresden and Seanan McGuire’s October Daye. Combining action and romance — with an emphasis on action — this is a top-notch new series opener for lovers of urban fantasy.” – Library Journal (starred review)

“In a saturated literary realm, James’s tale stands out for the gritty, believable world he builds, and provides a reason for the genre’s renewed strength. This is masculine urban fantasy in the vein of Jim Butcher and Mark del Franco.” – Booklist

More Short Fiction by Elliot James: 

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August
September
September: NEWLY RELEASED!
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October

 

 

 

New Short Fiction: THE HEIST by Will McIntosh

Orbit signed up Will McIntosh for the terrifically imaginative novels LOVE MINUS EIGHTY (US | UK | AUS)and DEFENDERS (coming in 2014), but we never forgot that he is a supremely talented short story writer with an amazing range. In fact both novels began as short stories that were so rich and brimming with ideas that they begged to be expanded. The same could be said of any of his shorter work.

In THE HEIST (US | UK)  the Hugo Award-winning author uses an uncanny Las Vegas caper to talk about friendship, regret, and the human desire for just a little bit more time. It’s funny, sweet, heartfelt, and wholly original.

Also, if you liked “THE HEIST don’t miss McIntosh’s other short story in the Orbit Short Fiction program, THE PERIMETER (US | UK)

The Making of a Cover: Directions for the Shadowdance Series

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

Sorry for a bit of a delay, there, folks. Here in the Art Department we love taking you behind the scenes to see how all he Orbit art comes together, but sometimes we get crazy swamped finishing a season! Time to get caught up! So far we have talked about the first real step of a book, Acquisition, and then what goes into Cover Briefing. Now comes the research part, Directions. When last we left you, Editorial had filled out the Cover Briefing form, and we had all gotten together in a Launch Meeting to talk about what our expectations and plans were for the cover. Now it’s the Art Department’s turn to let it digest in our minds for a little while.

In the meeting we talked about the influence of Brent Weeks’s Night Angel Trilogy, but that’s not enough inspiration. Part of my job at Orbit is keeping tabs on everything going on in the geek world, and art world, that could be used to influence or inspire what goes into our covers. I make sure to know what’s going on with other authors and publishing houses and their new covers. I also keep an eye on “geek” culture at large—movies, television, comics, pop culture. On top of all that it is a major part of my job to keep up on artists and trends happening not only in the SFF world, but also in many genres of illustration, design, photography, even prop-making. Once I get a project like this I let it sit and kind of germinate in the back of my mind for a little while, almost like a lint ball under your bed, gathering mass that might seem random and unrelated, but grows into something little by little. As Creative Director, it’s my job to assign who works on what. I knew this was going to be a huge project, so at this point I approached Art Director Kirk Benshoff about being the Designer for the covers, but also assisting with the idea generation, and then taking point on the Art Direction, whether it ended up being a photo shoot or an illustration. So he started brainstorming as well.

And this random mess below, is kind of a window into what was inspiring us: ninjas, samurai, dramatic dance photography, billowing fabric, brush & ink illustrations, other book covers in the field that had the same kind of drama and energy we were after, beautiful wirework fighting scenes. 

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So Kirk and I let this all just come together, and ferment a bit in our minds, never seeing something that exactly fit, just a lot of elements and inspirations…

Vampires beware – a new hero has come to town: CHARMING by Elliott James

This debut introduces a self-deprecating, wisecracking, and honorable-to-a-fault hero who can stand up to such established protagonists as Jim Butcher’s Harry Dresden and Seanan McGuire’s October Daye….” Library Journal (starred review)

John is not your typical prince charming figure. He’s not going to passing very many manners class, but he can kill a vampire in at least ten different ways.  Which is good because he’s going to need all of those skills in CHARMING (US | UK) by Elliott James.

Bringing a unique new spin to the familiar supernatural creatures and folklore, CHARMING is the debut urban fantasy not to be missed. Want to hear more? Read an excerpt or check out this interview with Elliot James:

What made you want to become an author?

The same things that make anyone want to become an author, really. A combination of crippling loneliness, habitual lying, greed, and delusions of grandeur. I mean, I could slather it on about how the imagination is the key to freeing the mind and all that, but let’s face it, ultimately it all comes down to the wild parties, the women, and the limos full of cash. Speaking of which, when are those getting here anyway? [Looks at watch.] Plus I like to read.

When did you start writing?

At the age of five. It was kindergarten, and I penned an opus about a backward planet where cows gave chocolate milk (I’m not sure how that’s backward, but it made sense at the time) and grown-ups went to school to get away from their jobs and learn how to play from kids. The thing I still think is kind of cool about that story is that every word was spelled backward. Or misspelled backward in many cases. After that I flirted around with writing. I had a minor fling with journalism, briefly got involved with advertising, and lived with teaching English. But I didn’t really get serious about writing until a few years ago, and then writing rejected my first proposal. Rejected quite a few of my proposals, actually. But I persisted, and now I’m ready to settle down and start having kids. Or maybe writing is. OK, I kind of lost track of the half-assed metaphor I had going there.

Read the full interview here.

If CHARMING has caught your eye, be sure to check out the earlier adventures of John Charming too in these three short stories by Elliott James:

There’s something happening on Twitter . . . it’s ANCILLARY JUSTICE!

Everyone’s talking about ANCILLARY JUSTICE, the brand new space opera from Ann Leckie.

We’ve collected some of the commentary for you here below!

Leckie’s fabulous debut is released 1st October, but the praise is already coming in.

You can preorder your copy today!

 

http://twitter.com/hawkwing_lb/status/382231442316468224

http://twitter.com/Annaleen/status/379018176924618752

http://twitter.com/sraets/status/382515930086928384

http://twitter.com/AndrewLiptak/status/381101899745083392

http://twitter.com/bethanye/status/376383061278982144

The Rose and the Thorn, out today!

The second volume of Michael J. Sullivan’s Riyria Chronicles is out today in paperback and ebook editions.

The Founding Fields writes: “Michael J. Sullivan’s The Rose and the Thorn manages to be even better than The Crown Tower, making this book, and the duology – one of my favourite reads of 2013.” And Reading Realms says “So far, all of Sullivan’s Riyria books have been very well paced, sword-and-sorcery style action with strong characters, making them fun and easy to read.  I would recommend them to any fan of fantasy, new or veteran, young or old.”

You can read an interview with Michael about this prequel series at Fantasy Book Critic.

And check out the first chapter right here!

 

 

Announcing Mira Grant’s PARASITE tour!

First she had us on the run from zombies. Now Mira Grant is delving into the dangers that might hiding inside our own bodies.

PARASITE (US | UK | ANZ), out in October, starts a brand-new series from the bestselling author of FEED (US | UK | ANZ), DEADLINE (US | UK | ANZ), and BLACKOUT (US | UK | ANZ). In PARASITE, disease is virtually unknown thanks to SymboGen Corporation’s Intestinal Bodyguard, a genetically engineered tapeworm. But there are some unanticipated side effects…

You can get a taste of PARASITE in this excerpt at Popular Science. And, if you’re on the west coast, Mira may be coming to your city when PARASITE is released! Details of the tour are below.

Tuesday, October 29
7 PM: Borderlands, 866 Valencia Street, San Francisco, CA

Wednesday, October 30
7 PM: Books Inc. Mountain View, 301 Castro Street, Mountain View, CA

Thursday, October 31
7 PM: Mysterious Galaxy, 7051 Clairemont Mesa Boulevard, San Diego, CA

Friday, November 1
7 PM: B&N #2280, 401 NE Northgate Way #1100, Seattle, WA

Saturday, November 2
2 PM: B&N #2262, 12000 SE 82nd Avenue, Portland, OR

ENDER’S GAME – get your hands on the film edition

The time is almost upon us.

The film version of ENDER’S GAME – one of the most popular and critically acclaimed science fiction novels ever written – will be out in the UK on 25th October .

To celebrate, we’re very pleased to present the final cover for our Orbit film tie-in edition – available from 3rd October.

Starring Harrison Ford as Colonel Hyrum Graff, Ben Kingsley as Mazer Rackham and Asa Butterfield as the child prodigy Ender himself, we have very high hopes for this movie. The trailer looks spectacular – check out the latest extended version if you haven’t seen it yet.

You can also keep up to date with news on the film on the Ender’s Game Facebook page.

And if you haven’t read the worldwide bestselling, award-winning book behind this film yet, read a free extract to find out what you’re missing.