Archive for Contents

A Big Easy Halloween

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“Some cities are naturally holiday cities. London is a Christmas city. Paris is a Valentine’s Day city. And no place in the world is a Halloween city more than New Orleans.” –The opening lines of “RUSTED VEINS (US | UK)

While I am a huge fan of both New Orleans and Halloween, I not yet had the good luck to be in the Big Easy on All Hallow’s Eve. However, I’ve been to NOLA many, many times over the last decade, and I’ve researched the city’s Halloween traditions extensively (for my book GREEN-EYED DEMON [US | UK | AUS]). Even though we can’t all just drop everything and go to New Orleans to celebrate Halloween this year, it doesn’t mean we can’t bring it to our own houses.

I am not exactly a party planner (except for fictional ones where budget is no object), but I do love to attend a good party, so I’ve put together my dream New Orleans-themed Halloween party. I’m tempted to throw this party to celebrate the release of my Sabina Kane Halloween novella “Rusted Veins.” Since it is available this week and happens to be set in New Orleans, the timing couldn’t be more perfect.

The Invites:

chicken footTie a calligraphied invite to a chicken foot or gris-gris bag for a charming voodoo touch. If it’s in the budget, have a second line band deliver them door-to-door while playing a funeral dirge.

The Music:

  • “Bloodletting” by Concrete Blonde
  • “Hoodoo” by Muse
  • “Voodoo Child” by The Jimi Hendrix Experience
  • “The Witch Queen of New Orleans” by Tom Jones
  • “504” by the Old 97s
  • “Louisiana Blues” by Muddy Waters
  • “Apache Rose Peacock” Red Hot Chili Peppers

The Costumes:

Guests will be invited to dress as their favorite real or fictional New Orleans resident. I’ve included some suggestions below.marie laveau

For the ladies:

  • Marie Laveau, Voodoo Priestess
  • Madame Delphine Lalaurie, Famous murderess
  • Lulu White, famous Storyville Madam
  • Blanch DuBois or Stella Kowalski from Streetcar Named Desire
  • Anne Rice, author
  • Bella Donna Boudreaux, from X-Men (more…)

A Halloween Cover Launch: The Rhesus Chart by Charles Stross

The Rhesus Chart: a Laundry Files novel by Charles Stross

LONDON CAN DRAIN THE LIFE OUT OF YOU . . .

Bob Howard is an intelligence agent working his way through the ranks of the top secret government agency known as ‘the Laundry’. When occult powers threaten the realm, they’ll be there to clean up the mess – and deal with the witnesses.

There’s one kind of threat that the Laundry has never come across in its many decades, and that’s vampires. Mention them to a seasoned agent and you’ll be laughed out of the room.

But when a small team of investment bankers at one of Canary Wharf’s most distinguished financial institutions discovers an arcane algorithm that leaves them fearing daylight and craving O positive, someone doesn’t want the Laundry to know. And Bob gets caught right in the middle.

The newest Laundry Files novel, and a jumping-on point for readers new to the series, THE RHESUS CHART will be released in hardback and digital July 2014. Cover design by Crush Creative.

The Laundry Files by Charles Stross

Don’t forget you can now buy all four of the previous Laundry Files novels in these gorgeous paperback editions.

The Making of a Cover: Final Retouched Illustrations

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

So far we have talked about the first real step of a book, Acquisition, and then what goes into Cover Briefing. Then we let our minds wander and collect inspiration and form Directions for the cover. Then we agreed on a Photographer and Illustrator. We’ve even found our hero, the Cover Model. And we found a Trampoline for him to do stunt work on safely. We decked him out in book-specific Costume & Props. We spent all day at our Photo Shoot. We received the Rough Cuts, and while the illustrator was working, Kirk was developing the Design Roughs. Here’s Kirk Benshoff to talk about the Final Retouched Illustrations: (more…)

A Night at the Space Opera

Cover of James S.A. Corey's ABADDON'S GATE.
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On Thursday evening, November 7th, at 7:30 PM, three of Orbit’s science fiction authors will be talking space opera, science fiction, and all other subjects under the sun (or out of its orbit) in a space-tacular online event: A Night at the Space Opera: Science Fiction Writers on Our Future in Space!

You doubtless already know James S.A. Corey, author of LEVIATHAN WAKES (US | UK | ANZ) and its sequels in the Expanse series; he will be represented by Daniel Abraham, one half of the Corey writing duo.

Ann Leckie is the author of ANCILLARY JUSTICE (US | UK | ANZ), a debut that came out in October and is already being praised as one of the best science fiction books of the year.

Rachel Bach is the pseudonym of epic fantasy author Rachel Aaron, whose science fiction debut FORTUNE’S PAWN (US | UK | ANZ) will be out on November 5th.

The three of them will be in conversation with Clara Moskowitz, associate editor at Scientific American covering space and physics.

Leckie_AncillaryJustice_TP œFortune's Pawn cover

Because this is an online event, fans from all over the world will be able to join in and watch — and ask questions — live. More information is available at the Google+ event page, and we’ll be updating it as the event draws closer.

John Charming returns in PUSHING LUCK by Elliott James!

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“I loved this book from start to finish.  Exciting and innovative, CHARMING is a great introduction to a world I look forward to spending a lot more time in.” – Seanan McGuire

I’m sure by now all of you have read and are as enthralled by Elliott James’s CHARMING (US | UK | AUS)  as I am, anxiously counting down the days until book two comes out. If this sounds like you, then the release of the newest Pax Arcana short story, PUSHING LUCK, should help you bear the wait.

PUSHING LUCK is the third in a series of short stories from our wonderful author, Elliott James, introducing us to John Charming. John is a descendant of a long line Charmings—an illustrious family of dragon slayers, witch finders, and killers dating back to before the fall of Rome. Trained by a modern-day version of the Knights Templar, monster hunters who have updated their methods from chain mail and crossbows to Kevlar and shotguns, John Charming was one of the best—until a curse made him one of the abominations the Knights were sworn to hunt.

In PUSHING LUCK, while trying to make money off the grid, John Charming stumbles upon an underground poker tournament where the hors d’oeuvres are made of human flesh and the players are gambling with much more than their money. All bets are off.

“Loved it! Charming is a giant gift basket of mythology and lore delivered by a brilliant new voice in urban fantasy. Elliott James tells stories that are action-packed, often amusing, and always entertaining.” – Kevin Hearne, author of Hounded

PUSHING LUCK is out now in the US and releases in the UK on October 31st.

Meet Melanie, The Girl With All The Gifts

Carey_GirlWithAllTheGifts-HC

In 2014, we’re publishing an extraordinary novel about a girl named Melanie who is ten and a half. She loves her teacher and dreams of what she’ll do when she grows up. She also knows that some people find her presence unsettling. And soon, everyone will find out why.

Watch the official trailer above and read the beginning at The Girl With All The Gifts Facebook page.

When we get to 200 likes on Facebook, we’ll unlock another chapter, so share it with your friends if you want to read more of 2014’s most heart-stopping, page-turning thriller!

 

The Making of a Cover: Interior Maps (Bonus)

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

So far we have talked about the first real step of a book, Acquisition, and then what goes into Cover Briefing. Then we let our minds wander and collect inspiration and form Directions for the cover. Then we agreed on a Photographer and Illustrator. We’ve even found our hero, the Cover Model. And we found a Trampoline for him to do stunt work on safely. We decked him out in book-specific Costume & Props. We spent all day at our Photo Shoot. After receiving the Rough Cuts and narrowing down the images, it was time for the illustrator to get to work, and while he did, Kirk was already working on the Design Roughs. Meanwhile, during this whole process for the cover, I was also working on developing Maps and Chapter Icons for the interior of the book.

Maps are an important part of world-building in SFF, especially in epic fantasy, and often authors will have pretty in-depth maps sketched out for themselves while writing the books. It’s also really interesting for readers to be able to see and navigate the maps along with the story, so at Orbit we try to include maps as often as they are available, and useful to the story. Of course, we need an artist to take the author’s sketches and notes and scribbles and turn them into a coherent map. It’s not just a art job, it’s also a seriously geek job. You need an artist that is really into figuring out the details and making everything work. It’s not uncommon for one of my map artists to discover that the geography needs extra definition (and in some cases, outright redesign) to get the pieces to work. In the case of David Dalglish’s Shadowdance series, the maps were already pretty detailed and included in David’s self-published versions. However, we really wanted to push them the extra mile, so I brought in illustrator and mapmaker Tim Paul.

I’ve known Tim Paul’s work as an illustrator for a while now, and actually had no idea he illustrated maps too. And then one geeky night at the Society of Illustrators (yes, such a place exists, and if you are a fan of illustration, SFF or otherwise, you should check it out if you’re in NYC. They also house the Museum of Comic and Cartoon Art) and we were having a super-geek conversation about D&D and how into being a Dungeon Master Tim was, how he made intricate maps and props for his campaigns. He had also started doing some map commissions for smaller publishers, and really enjoyed it. I literally hired him on the spot.

Neldar-Dalglish-TimPaul

Here’s a bit of process from him: (more…)

The pack goes wild for COLD BLOODED by Amanda Carlson

Cold Blooded, the third Jessica McClain novel from Amanda Carlson - an urban fantasy great for fans of Rachel Caine, Patricia Briggs, Ilona Andrews and Chloe Neill
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Some of the characters in Amanda Carlson’s new novel COLD BLOODED ( US | UK | ANZ) may be as cold as they come, but the reviews this new book is getting are hot hot hot!

If you’re into urban fantasy and paranormal romance of any kind but haven’t yet checked out the Jessica McClain novels (which begin with FULL BLOODED (US | UK | ANZ), look below to see what you’re missing! Fans of the likes of Patricia Briggs, Rachel Caine, Ilona Andrews and Chloe Neill will love this . . .

‘Cold Blooded starts with a bang and the action keeps coming right up until the final pages. Jess now faces her most perilous journey yet, where the stakes have never been higher. I can’t wait to see what’s in store for her next’ VAMPIRE BOOK CLUB

‘I’ve fallen in love with Jessica, and her loyalty to those around her and willingness to do what it takes to keep them safe. I’m thrilled to be following her as she figures out this whole werewolf thing . . . And yes, it is as hot as you were likely expecting it would be.’ ALL THINGS URBAN FANTASY

‘If you haven’t tried this series, I highly recommend it. It is great for people who like strong female leads, werewolves and a lot of action. If you’ve enjoyed Kate Daniels series by Ilona Andrews, The Hollows by Kim Harrison, Downside Ghosts by Stacia Kane and Mercy Thompson by Patricia Briggs, then I think you’ll love this book’ HOT LISTENS

‘Cold Blooded was a fun, action-packed book with the right amount of romance, adventure, and twists to keep me firmly planted as part of the Pack’ SHE WOLF READS

‘Cold Blooded is the third book in Amanda Carlson’s Jessica McClain series and this one people is my favorite to date . . . Really cool . . . Red Blooded is up next sometime in 2014 and I can’t wait to read it’ YUMMY MEN AND KICK ASS CHICKS

‘It’s intense action start to finish and I’m ready for more’ HAPPILY EVER AFTER READS

The Making of a Cover: Design Roughs

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

So far we have talked about the first real step of a book, Acquisition, and then what goes into Cover Briefing. Then we let our minds wander and collect inspiration and form Directions for the cover. Then we agreed on a Photographer and Illustrator. We’ve even found our hero, the Cover Model. And we found a Trampoline for him to do stunt work on safely. We decked him out in book-specific Costume & Props. We spent all day at our Photo Shoot. After receiving the Rough Cuts and narrowing down the images, it was time for the illustrator to get to work, and while he did, Kirk was already working on the Design Roughs.

Kirk Benshoff did the type design for the covers, so I’ll let him take it from here…

Once we’ve decided on what images we want Gene to work on, I need to figure the style of how Gene is going to retouch the images. I also need to work out the layout and type options. This stage of the process can get hectic as I’m trying to figure out more than one thing at one time, so I have a few balls I need juggle.

Especially with a first volume in a series, there are essentially four things needed to establish the look and feel for the cover:

  1. Image Treatment/Style
  2. Image Crop
  3. Layout
  4. Typography

Image Treatment/Style – In other words, we just shot pictures of Bryce as an assassin, but I need the pictures stylized or “Orbit-ize” if you will. We did talk about this in the early concept stages, but now we have images from the photo shoot. I want to explore variations of the initial concept or maybe even an entirely new idea if inspired just to make sure we are getting the look and feel we want. Do we want the final image to look high contrast like the movie poster for Ninja Assassin? Or HDR like the cover for The Heroes by Joe Abercrombie? Do we want the image styled monochromatic, black and white, bright or with a muted color palette? Keep in mind, this is the first book in the series and we can’t change the style later. So we want to be confident with the choice right from the start. Figuring this out is the first item I work on so I can give direction to Gene when I give him the specific photo’s to be retouched.

Here are some of the options I presented internally for the Image/Treatment Style. How did we want the background? How was the art going to be stylized? These are very rough so we can get a knee jerk reaction to a direction.

(more…)

Now out in trade paperback – RED COUNTRY

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Ever since I can remember I’ve been a lover of Westerns.  From the big themes, big characters and big landscapes of John Ford, through the exaggerated sweat, filth and violence of Sergio Leone, to the used up gunmen and moral ambiguity of Clint Eastwood’s revisionist films.  In fact I often site Unforgiven as doing expertly with the western what I try to do with fantasy – to present a modern, gritty, realistic take on a classic form, to perhaps say something about that form and the purposes it serves for audiences, but chiefly to present a great example of the form with all the entertainment value audiences expect.

When you ill-advisedly set out to write a trilogy of big books, finishing seems an impossible goal.  You spare very little thought for what might come after.  But shortly before finishing The First Law trilogy, I came to the horrifying realisation that if I was interested in writing as a career I might need to write another thirty or more books.  I needed some ideas, and fast, and of course the best place to get them is to steal some that have already been successful.  I wanted to write some tighter, more focused stories that continued in the same world but to some extent stood alone, and so I went to films for inspiration, and tried to work out what I liked about some of my favourites with the aim of combining my take on fantasy with some other styles of story.  So BEST SERVED COLD (US | AUS) was my attempt to fuse fantasy with a gangster revenge story.  The Heroes was my attempt to write a fantasy account of a single great battle.  And RED COUNTRY (US | AUS) was my attempt to fuse fantasy and western.

Fantasy and westerns aren’t such obvious bedfellows as fantasy and revenge or fantasy and battles, mind you.  The western is indivisibly tied to its time and place and in a way is a very strong spice for the reader, summoning up lots of powerful and specific visuals and expectations, one which has to be used with care.  For me the essence of the western isn’t in the sixguns and the chaps, the stetsons and the canvas wagons, the saddles and saloons, though.  It’s the wild frontier.  It’s the place where civilisation and savagery mix, where the rule of law contends with the law of the jungle, where anything is possible.  It’s about tough men and women pitted against an unforgiving wilderness.  It’s about conflicted men and women struggling to find the right thing to do in a lawless country.  And, yes, it’s about narrow-eyed stand-offs in windswept streets while coat-tails flap and terrified observers hold their breaths.  In RED COUNTRY I tried to keep what was essential about the western while changing the trappings, if you like: staking out a wild frontier in a part of the First Law world where the first settlers are just beginning to seek out new opportunities in an untamed wilderness, and finding neither man nor nature especially welcoming.  And, yes, there is a knife fight on the roof of a speeding wagon.  Whatever could be wrong with that?”