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FULL BLOODED blog tour

Anna Jackson
September 6, 2012

The start of a simply irresistible new urban fantasy series, FULL BLOODED (UK | US | ANZ) by Amanda Carlson, is released today in the UK, and worldwide within a week!

If you’re into shifters, paranormal girls who know how to kick some ass, sexy supernatural men and all the good things that come along with them, then this book is for you. (Check out an extract here to confirm!)

To celebrate the release, Amanda is doing a mega-epic blog tour, visiting every corner of the interwebs. So you’re likely to see her stopping by at a pixel near you . . .

Check out all of the dates she’s already done below, as well as what’s still to come!

August 23: Goldilox and the Three Weres

August 26: Review at Literary Escapism

August 27: Between Dreams and Reality

(more…)

WARDS OF FAERIE by Terry Brooks: 5 reasons to read it . . .

Anna Jackson
August 23, 2012

Hurrah! It’s released today! The new Terry Brooks novel, Wards of Faerie (UK | ANZ), book one in the brand new fantasy series The Dark Legacy of Shannara, has finally arrived.

It’s set in Terry’s core Shannara world (after all his fans begged him to return to it) and it’s delighting Brooks fans far and wide already. In the words of Aidan Moher at A Dribble of Ink:

WARDS OF FAERIE is the best novel Brooks has written in years . . . It’s full of hair-raising escapes . . . magic and monsters.

And if you’ve never tried Terry yet, this is your chance – and here are 5 very solid reasons to do so!

‘Terry Brooks is a master of the craft and a trailblazer . . . Required reading’ Brent Weeks, author of the Night Angel Trilogy

‘I can’t even begin to count how many of Terry Brooks’s books I’ve read (and re-read) over the years’ Patrick Rothfuss, author of THE NAME OF THE WIND

‘Terry Brooks has been my constant companion over a lifetime of exploring my beloved fantasy genre. I say with all honesty I would not be writing epic fantasy today if not for Shannara. If Tolkien is the grandfather of modern fantasy, Terry Brooks is its favorite uncle’ Peter V. Brett, author of THE PAINTED MAN

‘If you haven’t read Terry Brooks, you haven’t read fantasy’ Christopher Paolini, author of ERAGON and BRISINGR

‘Terry’s place is at the head of the fantasy world’ Philip Pulman, author of THE GOLDEN COMPASS

How to create a fantasy book cover: The making of the new-look Terry Brooks

Anna Jackson
August 15, 2012

Do you ever wonder what goes into producing the cover artwork for some of the biggest fantasy books out there?

We asked the highly talented illustrator Stephen Youll about how he created the cover artwork for WARDS OF FAERIE (UK |ANZ), the first book in Terry Brooks’s brand new Dark Legacy of Shannara series – out next week on 23rd August.

We wanted a fresh new look for this series – both to appeal to Terry’s die-hard fans and to show that it’s a great point for new readers to get on board with the Terry Brooks phenomenon.

We were delighted with this artwork Stephen produced, so here, in his words, is how it came together:

For Terry Brooks’s first book in the new Dark Legacy series I was asked to create a dragon skull, hanging in a stone alcove with interesting lighting that gave the cover a rich and bold look to it that was different to everything else that was out there. Not much of a challenge?

Step 1: This involves the creation of the alcove shape in the wall. I quickly established the arched alcove with light and shadows on top of a stone textured background.

Step 2: I added the detailed panels from texture cloned from an old door and colored it to match the stone. (more…)

How to become a superhero

The Orbit Team
July 5, 2012

Bitter Seeds by Ian Tregillia, an alternative history of World War II featuring superhuman Nazis and British Warlocks How does one create a superhero? Movies such as The Avengers and The Amazing Spider-Man make it look straightforward, if not exactly easy. Hollywood would have us believe superpowers aren’t all that unusual. Perhaps I’m a skeptic, but I sometimes wonder if the difficulties in become superhuman aren’t underestimated just a bit.

After all, you can’t plan for a freak accident. You can’t plan on being bitten by a special arachnid, as was Spider-Man. You can’t plan to accidentally survive a massive dose of gamma radiation, like the Hulk. You can’t plan to be born of Asgard, like Thor. Most of us will never have the opportunity to volunteer for an experimental super-soldier program, as did Captain America.

But what about the self-made superheroes? Those who deliberately transcend their limitations, using technology and (frankly) vast piles of money? Well, as much as I’d like to become Iron Man, I’m not a supergenius billionaire industrialist with massive technological resources at my disposal. What about Batman? I’m out of luck there, too, because I’m not a reclusive borderline-sociopath multi-millionaire with the peak physical conditioning of a dozen Olympic athletes combined. It’s safe to say these paths are closed off to most people.

So what to do if you’re cash-strapped but can’t rely upon serendipity to do the hard work? (more…)

Why you (yes, you!) should be reading K. J. Parker

The Orbit Team
July 3, 2012

Published this week, SHARPS (UK | US | ANZ) is the superb new fantasy from K. J. Parker in which a single fencing tournament could decide the fate of two warring kingdoms.

One of Parker’s most passionate fans is Jared Shurin, half of the team behind Pornokitsch and a judge/administrator for the Kitschies awards. Jared has given SHARPS a stellar review – “Sharps may be the book that fantasy fans are waiting for” – and has just conducted an in-depth interview with the enigmatic Parker.

When we asked Jared what it is about the books of K. J. Parker that he loves so much, and why you should be reading them, he was only too happy to tell us . . .

Jared: As a shamelessly vocal, frothing-at-the-mouth K. J. Parker fan, I may be exactly the wrong person to write a piece on “Reading K. J. Parker”. For me, it is a no-brainer. For fifteen years, Parker has been consistently writing some of the best books in fantasy. Clever, thoughtful, funny, dark, political – stories with empires and sieges and swords and gods and magic – everything I love about the genre.

However, taking a step back, I realise that not everyone’s been obsessively stalking Parker’s creative output. Sharps, as a stand-alone novel – and one of Parker’s best to date – is the perfect starting point for a new reader. But in aid of those who need a little more convincing, I’ve tried to break down the reasons I read Parker. On a long list, here are the top five:

1. Plain-spoken. Parker writes in a straight-forward, direct way. The prose is easy, which lets the reader concentrate on the story and not fuss about deciphering the text itself. There’s no mythic vocabulary, no chanting in italics, no poetry (whew) and not a whiff of Ancient Elvish. Parker proves that you can write about complex, big ideas in plain language. The books are deceptively simple and wonderfully quick to read.

2. Educational. This sounds like a joke, but Parker’s books will open your eyes to the fascinating world of button-making. Also: currency regulation, fletching arrows and, dare I say it, charcoal-burning. Each book has one or more central metaphor: a self-reflective device that’s used to structure the story. As the symbol that ties everything together, that charcoal becomes really important – and, thanks to Parker’s skill as a writer, surprisingly enjoyable.

Still, it isn’t all briquettes and buttons. If you’re nervous that lumber mills and drop hammers aren’t your thing, there’s plenty of excitement. Blue and Gold is about alchemy. Pattern brings in volcanoes (nothing boring there). The Escapement focuses on siege warfare. And Sharps? Sharps is about swords. Another reason that this book makes the ideal first Parker: what fantasy reader can resist a book about sword-fighting?

3. Proper badasses. I don’t want to give you the impression that Parker’s books are all bone-grinding and economic theory, because they aren’t. Some of fantasy’s hardest warriors lurk within these pages – Bardas Loredon, Suidas Deutzel and Poldarn among them. Deadly fighters from all walks of life: highly trained and extremely motivated. Parker’s books also contain some of the most compellingly vicious fight scenes. The sword-monks and raiders of the Scavenger trilogy, the mechanised warfare (and epic sieges) of the Engineer trilogy, the underground battles in The Proof House, and, of course, the swordplay of Sharps. From classic fencing to brawls, pitched battles to lethal duels, Sharps has a glut of action. As always, everything is exhaustively researched as well. (What else would you expect from an author that makes their own swords?) (more…)

Captain America, Bitter Seeds and Nazis in fiction

The Orbit Team
June 29, 2012

“I want you to know,” said John, “that you completely ruined Captain America for me.”

This was last summer at our local SF convention, Bubonicon. (Which, yes, is named after the bubonic plague. But that’s another story.) John and I belong to the same writing community here in New Mexico, so we chat from time to time. But we didn’t see this movie together, or even in the same city. Which made his complaint a bit confusing to me.

“Oh, about 20 minutes in,” he said, “my wife leaned over and said, ‘Hey! He looks like Ian!’ So all through the rest of the movie I kept picturing you up there fighting Nazis.”

Steve Stirling overheard our conversation. He joined us, nodding. “Yeah. Me, too.”

And so it became a running joke at last year’s convention. (A joke at my expense, naturally. But I refuse to carry a shield.) Fast forward 10 months to last weekend, when I shared this story with a visiting friend. Corry said, without missing a beat, “We saw it on video recently. I told my husband, ‘That’s what Ian looks like.'”

Now, if you ask me, these people are quite mad. There isn’t the slightest resemblance. But when I object, they’re always quick to clarify: No, we didn’t mean the strong, square-jawed, charismatic Captain America. We mean the early version of Steve Rogers. The pre-super-soldier-serum, pre-Vita-Ray Steve Rogers. Of course you don’t resemble the superhero, Ian. We meant the scrawny runt.

Well, obviously.

Aside from my desperate need for a solid dose of serum and Vita-Rays, I share little in common with young Rogers, much less his superheroic alter ego. I’ve never punched Hitler. Not even once. (I’m not saying I wouldn’t, but I’ve never had a chance.) I have, however, used Nazis and superpowers in my novels, which meant I was firmly embedded in the target audience for Captain America.

And Steve Rogers and I would surely agree on one thing: Nazis are a pain in the neck. For him, fighting them. For me, writing them.

I expended a fair bit of time and energy ruminating on the fictional superpowered agents of the Third Reich in Bitter Seeds (UK | ANZ). I wanted to tell myself an entertaining adventure story; something chewy and fun, like a good comic book. But I also wanted to tell a story that could be molded around the nooks and crannies of history. So I had to think carefully about the grim realities of the Third Reich, which forced me to consider carefully the portrayal of Nazis in my novel. And I did. I thought long and very hard about how to approach these books before I started.

(more…)

First contact with alien life . . . how will the world react?

The Orbit Team
June 15, 2012

David Brin’s upcoming science fiction novel EXISTENCE (UK |ANZ) centres around the discovery of an alien artifact floating high in Earth’s Orbit. It also boldly suggests that our continued existence was never a given. So we wanted to ask, what could First Contact mean for mankind? Are we on a tipping point? Read on for a collection of short excerpts from the book – and see this instance of First Contact from multiple angles . . .

In all of human history, only a few cultures ever managed to guide themselves across such a transition after making contact with superior outsiders, without first passing through long generations of intimidation and victimhood. Or tearing themselves apart . . .

THE MOMENT OF DISCOVERY

Gerald Livingstone is a galactic garbage trawler, clearing up the residue of mankind’s now long-forgotten forays into the galaxy. The strangely alien artifact he stumbles across calls to him subliminally . . .

Could this really be a messenger from some alien civilization?

Bare fingertips hovered over the translucent surface, causing ripples to flow, as if preparing to meet him at the point of contact. Whatever lay within . . . it somehow knew. It sensed the nearness of living flesh.

What if it really is alien? And dangerous?

He couldn’t help suddenly imagining the oblong ovoid — gripped between his thighs — as something out of science fiction. A cuckoo’s egg. Perhaps a Trojan Horse. “Contamination” could work both ways. Might it be a terrible mistake to touch the thing? (more…)

How will the world end? Some thoughts from 2050 . . .

The Orbit Team
June 9, 2012

In the year 2050, will we still be fretting over the end of the world? A dark bit of quasi-fictional non-fiction . . . and some between-chapter excerpts from the upcoming science fiction novel EXISTENCE (UK | ANZ).

A Myriad Paths of Entropy

Does the universe hate us? How many pitfalls lie ahead, waiting to shred our conceited molecule-clusters back into unthinking dust? Shall we count them? Today, our means of self-destruction seem myriad – though we at Pandora’s Cornucopia will try to list them all! So adjust your AI-ware, your im-VR-sive wraparounds, your omnivision eyeptics and dive right in.

At one level, none of this is new. Men and women always felt besieged. By monsters prowling the darkness. By their oppressive rulers, or violent neighbors, or capricious gods. Yet, didn’t they most often blame themselves? Bad times were viewed as punishment, brought on by wrong behavior. By unwise belief.

We modern folk snort at the superstitions of our ancestors. We know they could never really wreck the world, but we can! Zeus or Moloch could not match the destructive power of a nuclear missile exchange, or a dusting of plague bacilli, or some ecological travesty, or ruinous mismanagement of the intricate aiconomy.

Oh, we’re mighty. But are we so different from our forebears? (more…)

Heroic fantasy revisited: the Drenai saga by David Gemmell

James Long
May 31, 2012

‘I tend to concentrate on courage, loyalty, love and redemption,’ David Gemmell once said. ‘I believe in these things. I refuse to be cynical about the world, and I won’t join the sneerers or the defeatists.’

Gemmell, widely regarded as Britain’s ‘king of heroic fantasy’, imbued his characters with the same attitude and defiance. His classic Drenai series is full of charismatic figures who refuse to accept defeat in the face of impossible odds and overwhelming danger, who strive to do what is right rather than what is easy. Druss the Legend, his most famous creation, is the embodiment of this indomitable spirit: an old man who just wants to be left alone in solitude, he overcomes the ravages of time and leads the heroic defence of Dross Delnoch against hordes of invaders, despite knowing his inspiration carries a deadly price. The pages of the pacy, action-packed Drenai novels are full of such examples of self-sacrifice and heroism.

The flawed natures of these protagonists and their struggles for redemption, is what makes them so endearing and timeless. Although Gemmell’s novels are unashamedly black and white – “If you add too much grey, all you end up with is a grey novel,” he once said – his characters are mostly far more complex. The deadly assassin Waylander, for example, is introduced as a callous, cold-hearted killer – yet as his story progresses, he fights the darkness in his own soul and eventually earns redemption for his past atrocities. It’s the personal struggles of these characters, and their moments of self-doubt and self-sacrifice, that struck a chord with millions of readers all over the world and turned the Drenai books into fantasy classics.

Gemmell’s masterly grasp of characterisation was matched by his ability to write thrilling action scenes, which developed from his upbringing in a tough area of London. ‘I grew up with men of violence,’ he said. ‘I understand men of violence. It means that when I write action scenes and when I have violent characters, I have a very strong feel for that.’ This experience resulted in some of the most thrilling and visceral battles ever written in fantasy literature. Whether it’s Druss swinging his mighty axe on the walls of Dross Delnoch, or Waylander being hunted by nightmarish creatures in a shadowy forest, Gemmell’s action sequences are packed with drama and tension.

The Times recently listed David Gemmell as the third biggest-selling UK ‘adult fantasy’ author of all time, citing his UK sales of 1.5 million. With all six of his classic Drenai novels now available with brand-new covers that really capture the blood and thunder of the tales within, now is the perfect time to discover one of UK fantasy’s greatest writers.

Heroism and heartbreak . . . Gemmell is adrenaline with soul’ – Brent Weeks

‘The hard-bitten champion of British heroic fantasy’ – Joe Abercrombie

David Brin on EXISTENCE, Google’s Project Glass and the transformative power of science fiction

Anna Jackson
May 16, 2012

At the end of last year, we here at Orbit received a very exciting treat in our inboxes . . . a new manuscript from the critically acclaimed David Brin.

Author of the classic UPLIFT series, EARTH and THE POSTMAN (made into a major motion picture), he’s widely lauded not just for writing thrillingly addictive science fiction, but also for his track record for accurately predicting the future within his novels.

It’s been ten years since the release of David’s last book, so the arrival of the manuscript for EXISTENCE (UK | ANZ) really was quite an event. And it’s no exaggeration to say that this could well be his pièce de resistance.

It’s an edge-of-your-seat novel of the near-future, where discovery of an alien artefact throws the world into chaos. The absolute compelling nature of this book, and the sheer breadth and brilliance of the ideas expressed within it made me want to find out more about David’s thought processes behind it (beyond the usual questions I’d ask as part of our author/editor relationship!). Read on for an insight into what lead to its creation . . .

David Brin, author of the near-future science fiction novel EXISTENCE - credit Cheryl Brigham — David Brin - photo by Cheryl Brigham

AG: Despite your incredible success as a writer, you’ve mentioned elsewhere that being an author wasn’t your first career of choice. Tell us more?

DB: Writing was the first truly verifiable, repeatable and effective form of magic. Picture how it must have impressed ancient people to look at marks – on papyrus or clay – and know they conveyed the words of scribes and kings long dead. Knowledge, wisdom and art could finally accumulate, and death was robbed some of its sting. Writing still is magical. To create strings of black squiggles that millions of others can skillfully de-code with just their eyes – into emotions and thoughts, or the struggles of believable characters.

Still, every culture had storytellers. I was drawn toward a much newer kind of profession, that only gained real momentum the last few generations. Science. A shared endeavor to find out what is true, despite our preconceptions. Wow, that too is amazing! And I managed to contribute a few new bits of knowledge.

Still, when a chance came along to combine the two? Who wouldn’t grab such an opportunity?

AG: It’s been almost a decade since the release of your last novel. Have scientific developments over the last 10 years forced you at all to reassess the vision of the future you’ve held in previous books?

DB: Well of course. But remember, good science fiction isn’t about any static view. It should offer thought experiments about change. How it transforms real societies and realistic characters. Change has been the one, great constant of modernity and its rate is accelerating. Many of our social and political squabbles spiral around this one fact. A lot of folks don’t like the staccato pace of disruptions and new ideas, even good ones.

But if we don’t poke ahead, peering into the fog, how will we ever find our way? (more…)

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