And on the third day of ChristmaSFF…
… my android gave to me
Three diff’rence engines
Two uploaded humans … and
A monolith on a dead moon.
With the Yuletide fast approaching, the Orbit team* thought it worth indulging in a spot of fantastical fun to help count down the days until Christmas. In an act of inspired lunacy / luke-warm humour / gross irresponsibility (delete as appropriate), we’ve decided to post the Science Fiction and Fantasy Twelve Days of Christmas. And because we are masters of space and time, we’ll be doing it over the next week and a bit**. In order to give some sort of relevance to our tomfoolery, each line will be derived from a recognisable subgenre/movement within SFF.
So, join with us as we warm up our vocal chords, apply our formidable knowledge of the field and kiss our credibility goodbye, with The Twelve Days of ChristmaSFF . . .
On the first day of Christmas my android gave to me . . .
. . . A monolith on a dead moon.
* Well, not allthe Orbit team. Despite the strong vein of geekery propagating through the office like the blast front of a giant nerd-bomb, some people have insisted on retaining their dignity (it’ll never catch on). These few, these happy few, are blameless for what we’re about to unleash on an unsuspecting world.
** Yes, we know. Not an inspired start, is it?
This year, World Fantasy was at Saratoga Springs, New York. It was a lovely town upstate and I, for one, had forgotten what trees looked like!
Attending the convention was Orbit from both here and across the pond: Tim Holman, Publishing Director (US & UK); Darren Nash, Editorial Director (UK); George Walkley, Business Manager (UK); Alex Lencicki, Marketing and Publicity Director (US); Jennifer Flax, Editorial Assistant (US); and me (Devi Pillai, Editor, US)!
Some of our lovely authors also attended: Marie Brennan, Robert Buettner, Jo Graham, Karin Lowachee, Jennifer Rardin, Lilith Saintcrow, Jeff Somers and Walter Jon Williams. It was also great to see Daniel Abraham and Scott Bakker from Orbit in the UK.
Friday
The Orbit team took an early train fortified with plenty of Dunkin Donuts coffee on Friday morning. Our car, fully packed for World Fantasy, included: Diana Gill of Eos, Anne Sowards and Jessica Wade of Ace and Roc and Rome Quezada of the Science Fiction Book Club.
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Words of praise in the latest Aurealis magazine for two of Orbit’s top Australian scribes, Sean Williams and Marianne de Pierres:
Sean has produced some good work in the past; he’s had the opportunity to flex his writing muscles in a wide variety of projects. In Saturn Returns, I felt a new assuredness, a strength of voice that was compellingly entertaining and thought-provoking. Saturn Returns is Sean’s best yet — go out and buy it.
Dark Space is an exciting adventure with plenty going on to keep you turning the pages. The story is primed to enter uncharted territory at the end of Book One. Marianne has a knack for creating compelling characters in complex realities — the Parish Plessis novels showed us that — so this is one to watch as it develops through the next two volumes.”
A shout out to former Aurealis editor, now reviewer, Keith Stevenson for his insightful reviews, which will appear in full in issue #38.
Keith also had some nice things to say about Orbit’s new global presence, so it would be rude — rude, I say! — not to repeat some of that niceness here:
The enthusiasm comes from what’s happening in the Australian market lately. This could be another false dawn — we’ve been through so many — but with the arrival of Hachette Livre and its much respected imprint Orbit into the local arena there is a level of energy and enthusiasm that I haven’t seen for a long while in Australian genre publishing . . . And so to another Orbit SF release (see what I mean: the release of two Australian science fiction books in as many months is unheard of in recent years).
Thanks, Keith. I hope we can continue to excite SF readers in Australia — and all around the world — for years to come!
Things are fairly hectic at Orbit UK — we’re really looking forward to fantasy legend Terry Brooks touring the UK next week, so there’s a certain amount of dotting Is and crossing Ts going on — and it’s all too easy to miss things taking place around the blogosphere. So here’s a catch-up on what’s being happening with our books and authors:
Ian Irvine has written an essay on the books that are important to him for the distinguished academic Norman Geras’ blog.
Sean Williams is answering questions from readers on the Australian SpecFic in Focus forum — you’ve got until 15 September if you want to ask him something.
As a marketing hack, I was fascinated by this interesting analysis of how a reader decides what to buy in a bookshop, using Brian Ruckley’s Winterbirth as a case study, written by a genuine marketing expert, Roy Bayfield of Edge Hill University.
Jeff Somers’ The Electric Church is out later this month. It’s already picked up some great reviews. The Guardian called it “an exhilarating example of powerful and entertaining storytelling.” Meanwhile, blogger Graeme Flory rated it eight out of ten and wrote of it: “I read a couple of pages; then I read some more, the next thing I knew, it was Sunday night and I’d finished it. Great stuff, every single page tells you in no uncertain terms why this book has been chosen as part of Orbit’s opening salvo on the US market . . . an entertainingly bullet spattered read that hints at great things from Somers in the future.”
Graeme has also reviewed Mike Carey’s new book Dead Men’s Boots, which rates a mighty nine and a half out of ten, and the comment, “If you’ve already read the first two books then I guarantee you’re going to absolutely love this one. If you haven’t then I suggest you pick up The Devil You Know [Mike’s debut for Orbit] and get reading. You won’t regret it.” There’s also an interview with Mike on Graeme’s blog.
The final word on Dead Men’s Boots goes to the estimable John Berlyne, who says in his SFRevu review: “What Carey develops . . . is yet another extraordinarily gripping supernatural mystery . . . These Castor books are as fiendishly addictive as nicotine and are made all the more satisfying by Castor’s deadpan, ironic fatalism . . . The net result is another superb, highly involving novel from Mike Carey.” You can read the rest of the review here.
Well, after months of meticulous planning, discussing and strategizing, it’s launch month for Orbit in the US. The books are in the stores, the reviews are coming in, and the marketing campaigns are underway.
With all of the preparation that surrounds the launch of a new imprint, it’s easy to forget the importance of that relatively brief moment when somebody sees a book for the first time — in stores, in libraries, online, or wherever — and makes a decision. As publishers, we can edit the books, and package the books. We can promote them, both directly and by working with retailers. And we can make sure that they are available as widely as possible.
But will that book catch your eye? Will you pick it up? Will you read the blurb and like the sound of it? Will you flick through a few pages and be excited enough to want to carry on? And then, of course, if you’ve done all of those things, will you enjoy it as much as we have?
Only time will tell, of course. But we’d like to thank everyone who has helped us get to this stage, and given us so much support and good advice, in particular: the authors, the agents, the booksellers, the librarians, and the reviewers. And I’d like to give special thanks to the woman I saw on the subway yesterday reading Karen Miller’s The Innocent Mage and not looking up once. I hope she didn’t miss her stop … actually, I hope she did.
No, not the Orbit Christmas Party (although . . . ); we’re talking about virtual worlds such as World of Warcraft and Second Life, which seem to be being invaded by a new wave of cyber-crooks. There have been two stories floating about teh Intarwebs recently, involving criminal action in Second Life. Why do we care? Apart from a deeply held concern for our fellow beings, obviously? Because Orbit author Charles Stross anticipated them both. Who says SF can’t predict the future?
In an amazing case of (second) life imitating art, this story circulated a little over a week ago, outlining the theft of $3.2 million Linden Dollars from Second Life. This is scarily close to the central theme of Charlie’s forthcoming Halting State. We don’t publish Halting State until January 2008, but remember Charlie wrote it last year, so it still counts as prophecy! And as if that wasn’t enough Nostradamus-like gazing through the veil of time, we just spotted this on the website of The Australian newspaper. Again, Mr Stross was there first. The advent of virtual terrorism was outlined in this article Charlie wrote for online gaming site Guildcafé last March.
At the risk of taking liberties with Oscar Wilde’s famous wit: to predict one future event can be seen as fortunate, to predict two begins to look like cleverness.
So, if you want to know what the future might look like, read Charles Stross. He can’t do the lottery numbers (we checked) but there are few better authorities on emergent technology and how it might affect our lives.
The Dresden Files television series was shown earlier this year in both the UK and the US (on Sky One and the Sci-Fi Channel respectively). This was a fantastic treat for the many fans of Jim Butcher’s books. Of course, we’ve all been eagerly anticipating more, but the future now looks rather uncertain, as despite good ratings and great reviews, commissioning of a second series has still to be confirmed.
But there is still something we can do — it’s not too late (yet)! Those helpful fans at Dresden City have put together a simple and helpful guide on how to keep the series alive, with details on exactly how to:
More on the subject can be found here and of course check Jim Butcher’s official site for masses of Harry Dresden info and more.
Thanks for your support — you know it’s worth it!
Orbit Publishing Director Tim Holman talked to Bookselling This Week about the launch of Orbit in the US. Read the full interview on the ABA website.