On Literary Criticism: Everything Sucks
Jeff Somers, author of The Eternal Prison, has a few words for his critics.
Jeff Somers, author of The Eternal Prison, has a few words for his critics.
No, we’re not just throwing out random insults at our readers for the hell of it . . . this is actually the title of the new laugh-out-loud vamp-themed book from Christopher Moore, which Publishers Weekly have aptly described as:
‘[A] cheerfully perverse, gut-busting tale’
and Booklist as:
‘[A] hilarious mockery of the pursuit of the appetites’.
In this rambunctious tale, Tommy, a naïve and eternally lusty 19-year old from Incontinence, Indiana, is rather peeved to find out that his hot vampire girlfriend Jody has turned him into a bloodsucking fiend too.
If he admits it, there are some pretty cool things about being a vampire – like eternal youth, super-strength and enhanced senses, and hey – even his zits have cleared up! It’s just the fact of being dead which is a bit of a bummer, along with the fact that anything except blood makes him projectile vomit, and that he passes out every day at sunrise, making trips to the mall rather difficult.
So Tommy and his girlfriend set out to find a minion to run errands for them and generally be their slave-around-the-house. And who better than the angsty goth teenager they meet at the local drugstore? Meanwhile, Tommy and Jody have other more important things to worry about, like fleeing from Tommy’s former turkey-bowling pals who have turned on him, and the fact that the centuries-old vampire who bit Jody in the first place has decided he wants her back.
If you fancy a nibble too, check out an extract of You Suck (UK/ANZ) here.
Jim says:
The first two Codex Alera novels were faced with with a considerable disadvantage–the main protagonist was a child.
Now granted, this is hardly anything new when it comes to fantasy protagonists, but it
does present a writer with a number of challenges which adult characters do not. Children have, generally speaking, much less ability to affect the environment about them, and are forced to go about the pursuit of their goals in very different ways.Cursor’s Fury marks a turning point in the Codex Alera for two reasons. First, because the main protagonist, Tavi, has become a functioning adult–a young one, true, but he has earned a considerable amount of trust and responsibility through his actions in the first two books. Second, because all of the intrigue and covert planning that happen throughout the first two books begin to boil over into open conflict, not just for Tavi, but for all the realm of Alera.
Tavi finds himself forced to become an adult very rapidly, and must take upon himself far more serious (and dangerous) tasks than he or his instructors had ever imagined. This time, Tavi’s wits alone might not be enough to carry the day, and the young Cursor will find himself tested to his limits and beyond.
I *loved* writing this book. It was a tremendous amount of fun. I sincerely hope that you get half as much enjoyment out of reading this story as I did out of writing it.
Karen say’s
The Rogue Agent series is my chance to combine two of my favourite genres — fantasy and mystery. I suppose it started with the question — what happens when the most ordinary and unassuming person discovers they have more power than anyone should ever possess? How does that change them? How do they stay sane, stay the same, when so many of the rules no longer apply to them? That was the driving question that got the series started, and it’s the answering and exploring of that question that gives the series its momentum.
But it’s not all deep and philosophically serious. The Rogue Agent series also allows me to have some out-and-out fun, introducing humorous elements to the story while still keeping it grounded in drama. Just as important, for me its characters are a family, and I love exploring the dynamics of family. I love throwing my characters in the deep end, too, and watching what happens as they try to swim before they sink.
In fact, I think it’s fair to say that the main reason I’m enjoying the series so much is because of these characters. Sometimes it feels like I’m a fly on the wall taking dictation. Someone starts talking, someone else chimes in, and the next thing I know it’s a dingdong free-for-all with Reg being sarcastic and Melissande taking her to task and Bibbie squabbling with her brother Monk and poor old Gerald stuck in the middle like the ringmaster of the craziest circus ever, trying to keep everyone and everything on track. And then prowling around the outside, the mysterious Sir Alec — who knows more than he’s telling about a great many things, and who has a few secrets of his own to protect.
At the end of the day, I love writing these books and it’s my hope that readers will love them a lot too.
Cursor’s Fury: the Codex Alera Book Three [UK] and Witches Incorporated: the Rogue Agent Book Two [UK|US] are both out this month, available from all good bookshops.
Australian fans of Jim Butcher – don’t miss Furies of Calderon, Codex Alera Book One coming September to Orbit Auz.
We’d like to note the passing of and fondly remember Charles N. Brown, founder and longtime editor of Locus magazine, who died July 12. His numerous opinions regarding sf, fantasy, its practitioners, its critics, and its media spinoffs are well recalled, by both those with whom he agreed and with whom he disagreed. It is impossible to overstate his influence on the development of the field during the past forty years.
Charles passed away in his sleep, peacefully, on his way back from Readercon, having just seen many of his friends. Ave atque vale.
Here at Orbit we’re very proud that our books tend to be smart, sophisticated — dare we say, awesome? (yes, we dare) — but there’s still a part of all of us that loves the look and feel of a truly, epically bad SFF book cover. And since we don’t get a chance to publish books that fit that profile we thought we’d call on our readers to help us create one — or at least create the jacket for one.
Over the next few weeks we’ll be asking for your help coming up with the most ridiculously bad high-concept SFF book cover in the universe – think Wyvern II: The Wyverning, or Martian Under the Doormat. (We know you can do better) Once we’ve settled on the titles we’ll work out the reading line, the blurbs, and cover elements. And then, with your help, our fearless Orbit US Creative Director Lauren is going to design a cover for it that will present it in all its mad glory.
Think you can help? Leave your suggestions for titles below (*)
(*) As much as we appreciate good satire, the point of this exercise isn’t to riff on the titles of an older work, or to haze existing covers — we want to come up with new vistas of badness, so original titles only please.
The Grand Conjunction (UK/AUZ), Sean William’s fantastic conclusion to the Astropolis series, is out this month and the reviewers have been saying some great things about it. Gary at Conceptscifi.com thinks that:
‘The Grand Conjunction is an absolute winner and a joy to read.’
And Liviu at Fantasy Book Critic says:
‘The novel succeeds grandly indeed. Highly, highly recommended.’
This is certainly a book on a ‘grand’ scale. Readers can expect more of the awe-inspiringly mind-boggling concepts that make Sean Williams’ space opera so exceptional. (more…)
It’s got vampires, it’s got mages, it’s got assassins . . . and it’s got feisty vamp-mage-assassins! That’s right, it’s Red-Headed Stepchild (UK/US), Jaye Wells’ fantastic debut, and it’s out this week. Here are some of the great reviews it’s been getting:
Kat Richardson calls it ‘Brassy, sassy and hip’.
Karen Chance thinks it’s ‘Fast-paced and funny . . . very enjoyable!’
And SciFi Chick says ‘Red-Headed Stepchild is action-packed suspense at its best. And urban fantasy doesn’t get much better than this. Steeped in mystery, intrigue, and magic, this debut is one of the best I’ve read in months. Jaye Wells is a promising new talent.’
Here’s what’s in store for you lucky readers: (more…)
Orbit Publisher Tim Holman stopped by The Dragon Page podcast to discuss all things “e” with Mike and Mike. You can listen to the show here.
Jaye says:
I’ve always had a soft spot for outcasts and rebels. It’s no surprise then that I created a world populated by dark races, who have been literally forced to live in the shadows, hidden from the human race. And in this world, lives an outcast among outcasts. Her name in Sabina Kane, and her story is about what happens when the red-headed stepchild grows up and realizes she’s been betrayed by those who should have protected her.
All of that sounds very deep and dark, but Red-Headed Stepchild is also about how Sabina finds her own tribe of misfits in unlikely places. A mischief demon with a predilection for infomercial shopping. An idealistic nymph who used to work in faery porn. A roguish mage who introduces Sabina to the world of magic. Each helps Sabina navigate a world filled with blood-thirsty wine makers, charismatic cult leaders and hookah-smoking vampires. So really, when you think about it, there’s something in Red-Headed Stepchild for the whole family to enjoy.
Two of Orbit’s legends of science fiction, Iain M Banks and Ken MacLeod have taken part in a round-robin discussion entitled How sci-fi moves with the times over on the BBC website.
Ken discusses the role that scientific theory plays within science fiction literature:
“Science fiction is the only form of literature that sets out to bring home to our imaginations the surprising universe that science has discovered. How well it does that job depends on its scientific accuracy – up to a point.”
And Iain talks about the degree of scientific reality that he tends to incorporate into his own science fiction writing:
“…in my science fiction, I merrily break as many laws as I can get my hands on. Especially faster than light travel – I have my starships going at unfeasibly high speeds. Sometimes I pay no attention whatsoever to what’s possible and realistic. It really depends on the novel.”
(Iain also lets slip some tantalising hints about his next novel, Transition…)
The piece also includes contributions from fellow UK SF stalwarts Paul Cornell and Ian Watson. Definitely worth a read-through.