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The Ultimate Epic Fantasy Author for the Ultimate Epic Fantasy Fan

Madeleine Hall
February 28, 2013

The fantasy novel The Dark Legacy of Shannara Book One: Wards of Faerie by Terry Brooks, endorsed by Christopher Paolini Adored by readers and revered by authors, Terry Brooks is a trailblazing epic fantasy author like no other. His action-packed stories and unique characters have captured the imagination of fantasy fans all over the world.

If you’ve been looking for an excuse to start on an epic Brooks adventure, now is your chance. WARDS OF FAERIE (UK | AUS) is out now in paperback, followed up with book two of the Dark Legacy series, BLOODFIRE QUEST (UK | AUS ) on 12^thMarch. With dark powers, an epic adventure, and a fight for survival, Terry Brooks will draw you into the Shannara adventure and not let go.

What readers have been saying about WARDS OF FAERIE:

“Brings back the magic that was in the first Shannara series” – Goodreads 5 star review

“Terry Brooks has provided me with a lifelong love of Fantasy” – Orbit reader

“He writes with such detail to create a world that is wholly believable and which you can sink into for hours at a time” – Orbit reader

“Transports you to a world of fantasy that you can get lost in” – Orbit reader

“Everything a good fantasy story should be – full of adventure, romance, magic and danger” – Goodreads 5 star review

“Threads are so marvellously woven together, and the tapestry they form is one of action, mystery and sorrow” – Bookreporter.com

Since we think Terry Brooks is an ultimate fantasy writer, to celebrate the release of WARDS OF FAERIE, we asked readers to tell us what their ultimate fantasy hero might look like. Here are the results…
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War and Power: Sources of Conflict in THE GATHERING OF THE LOST

Helen Lowe
February 27, 2013

Last week I mentioned the diversity of heavily armed societies a reader might expect to find in a High Epic tale like THE GATHERING OF THE LOST (UK|ANZ) – which got me thinking about the importance of conflict to epic fantasy generally, and about the specific conflicts in the Wall of Night series’ world of Haarth.

The Importance of Large-Scale Conflict In Epic Fantasy

Something I’ve discussed before in relation to epic fantasy – particularly in my Big Idea post for THE HEIR OF NIGHT (UK|ANZ) – is the way in which classic epic stories speak to our human condition through juxtaposing the internal conflicts of the protagonists with the external conflicts in which they are engaged. Nations and worlds are often at stake; at the very least major paradigm shifts and world-altering events provide a way of exploring more personal struggles and human cost.

The conflicts that characterize the Wall of Night series honour that epic tradition. (more…)

In Alternate Soviet Russia, Magic Rules You

Laura Fitzgerald
February 26, 2013

In exactly one month from today, Peter Higgins’s brilliant debut WOLFHOUND CENTURY will be published here in the US. “Sentient water, censored artists, mechanical constructs, old-fashioned detective work, and the secret police are all woven together in this rich and fascinating tapestry,” wrote Publishers Weekly, and that’s only the beginning of the wonderful praise we’ve received for this novel.

Watch the trailer on our website and pre-order your copy of WOLFHOUND CENTURY today! You can also read the first five chapters on io9 right away.

How to make a fantasy book cover: FADE TO BLACK

Anna Jackson
February 26, 2013

It’s finally here! Today is the release date for FADE TO BLACK (UK | US | ANZ) by Francis Knight, one of the most hotly anticipated fantasy releases of the year.

The illustrator for the covers of this series, Tim Byrne, did an awesome job representing the vertigo-inducing city of Mahala, the setting for FADE TO BLACK and all the Rojan Dizon novels. We asked Tim to go step-by-step through the process of creating such a cool image:

I started off by doing a very quick sketch of the cover to get an idea of how the perspective might work. I wanted to convey the extreme height of the city of Mahala and how it might be if you were at the bottom looking up. I nearly always start a cover by positioning the type – as once I know where and how that is sitting, I know how much space I have left for the rest of the image.

Next I started blocking in the faces of the buildings/vertical streets using an image of a mud face that I had – which I repeated, scaled and distorted in order to get the perspective to work. This gave me a base on which to start adding bits of buildings and windows.

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Your playlist for a Victorian-punk Fantasy novel

Kate Locke
February 22, 2013

Artwork for Emilie Autumn album Opheliac - the perfect soundtrack for the Immortal Empire series by Kate Locke, which starts with GOD SAVE THE QUEEN — Album artwork for Opheliac by Emilie Autumn. Image from emilieautumn.com

I don’t know about other authors, but for me the process of writing a book has always included music. Music provides so much inspiration for me, can really help in capturing the tone or feel of a scene – or an entire book! There are songs that have come to be so associated with one of my stories that I can’t listen to them without thinking of the characters the lyrics have come to represent.

I came into my teens in the 80s – I do not feel that old! – the decade of the music video. I remember seeing ‘Thriller’ for the first time, and staring slack-jawed at the TV as this amazing story played out in front of me. Aha’s ‘Take On Me’ is still one of my all-time favorite videos. The merging of music and story took hold of me and refused to let go.

The first book I ever wrote (I was 12 so be kind!) was about a rock band. OK, it was about Duran Duran, but I changed the names. Over 300 pages of angst and music – I even wrote lyrics, which were awful. To this day, if a song grabs my attention I’m going to think of a story to go along with it – my own little music video playing inside my head. It doesn’t matter if it’s Nine Inch Nails, Bon Jovi or Alice Cooper, if it catches my attention, I’m going to find the plot and play it out in my head.

So, it shouldn’t surprise you that the Immortal Empire has a soundtrack behind it. As I plotted and planned, and then began to write, I actually embarked upon a quest to find the the perfect music. I wanted something that was modern, but would make me think of the Victorian Era as well. Then, I discovered Emilie Autumn and I knew I’d found my soundtrack. Not just my soundtrack, but a target audience. At this point I wasn’t certain my weird little book would be of interest to anyone, but then I visited Emilie’s fan boards and realized that there were people out there who would like this sort of book.

I could ramble on and on about music and how it inspires me, and how I’m making a jacket to wear to Emilie’s next concert in New York with all the glee of a 14 year-old dying her bangs to match John Taylor’s, but I think I’ll share some of my playlists with you instead. Here are just a few songs (in no particular order) that I listened to while writing these books. Will they make you think of various scenes or characters in the Immortal Empire? Oh, I’m not going to list songs from LONG LIVE THE QUEEN – I don’t want to give anything away! (more…)

Nuclear Deterrence in a Blood-Magic World

The Orbit Team
February 22, 2013

During our recent conversation about his Laundry novels, Charlie Stross mentioned he’d started out seeking to revitalize the horror behind Lovecraftiana by drawing a connection between unknowable dangers and the very familiar terror of the Cold War arms race. I found that particularly interesting. After all, the Laundry series and the Milkweed books share a subgenre that pits agents of the secret state against super- or paranormal entities. So perhaps it isn’t surprising that we’ve both recast the thermonuclear deterrence of Mutually Assured Destruction as something even more precarious: the threat of a mystical and far more absolute annihilation.

(We The cover for THE COLDEST WAR, the second novel in the Milkweed Triptych by Ian Tregillis - with links to Charles Stross's Laundry Files novels even followed parallel lines of thought when it came to titles. Charlie called his story of the Shoggoth Gap “A Colder War,” while I went with THE COLDEST WAR for my tale of mystical brinksmanship.)

I was a child when the Reagan-era arms race began. But I had an early interest in science, so I’d already scoured the school library to read everything I could find about those wondrous things called atoms. Which unfortunately meant I had a vague notion of these things called atomic weapons. (Who in their right mind thought it was a good idea to let me read this stuff? Way to go, mom and dad.)

Thanks to classroom discussions of current events at the time, I also knew we were building them as fast as we could. Halfway around the world, so was another monolithic power. And we were aiming them at each other, like lions circling and snapping their teeth. But at that age I didn’t understand why this was happening, or why our enemies were so terrible that global annihilation was preferable to their triumph in some abstract and incomprehensible conflict. All I knew was the world teetered on a razor’s edge, and that my fate rested in the hands of people who knew nothing of me, my parents, or my cat (good old Gadzooks).

That’ll mess with your head when you’re 10 years old.

And so I spent the early 1980s filled with an almost paralyzing dread. (more…)

Cover launch! WITCH WRAITH by Terry Brooks

Anna Jackson
February 21, 2013

Presenting the brand new cover for WITCH WRAITH (UK | ANZ), the third and final volume in the Dark Legacy of Shannara series by Terry Brooks.

Shannara fans are getting a real treat this year, since they’ll be able to get hold of all three books in this new series by mid-summer. (Thanks Terry!)

Book 1 in this series WARDS OF FAERIE (UK | ANZ) is already out in hardback, but the paperback releases next week on 26th February.

Book 2, BLOODFIRE QUEST (UK | ANZ), releases hot on its heels in a few short weeks on 12th March, and volume 3, WITCH WRAITH, on 16th July this year.

It’s a far faster publication schedule than usual, because we know just how hard it is to have to wait for the next Terry Brooks!

For anyone who’s new to the entrancing world of Shannara, the Dark Legacy trilogy is a fantastic place to start. Find out just why Christopher Paolini says: “If you haven’t read Terry Brooks, you haven’t read fantasy“.

See all three of the skull-tastic covers of the Dark Legacy of Shannara in their full glory below! (more…)

Use of Weapons: The Armoury of Epic Fantasy

Helen Lowe
February 21, 2013

When embarking on a High Epic tale like THE GATHERING OF THE LOST (UK|ANZ), with its diversity of heavily armed societies, making an inventory of the epic armoury becomes a priority. Any good armoury, after all, should comprise an array of weapons – some magical, some mythic, some even real – that may, depending on circumstances, save the day for one’s protagonists.

The Soul-Sucking Sword

A favoured contender for any self-respecting High Epic tale has to be The Soul-Sucking Sword. After all, they do abound within the annals of the epic literature we love: from Elric of Melniboné and Stormbringer, to CJ Cherryh’s Morgaine with Changeling, and Steven Erikson’s Anomander Rake and Dragnipur. Even Robin McKinley’s (far) more benign Blue Sword has an ambivalent sense of humour. When the chips are down, a soul-sucking sword – or one that can drop whole mountain ranges, like the Blue Sword – has to be handy to any protagonist with worlds to save and a destiny to fulfil.

There may not precisely be soul-sucking swords in THE GATHERING OF THE LOST, but there is reference to black blades:

“Fool!” the old woman spoke with asperity despite her cut and bruised mouth. “She’s carrying black blades—that’s how she defeated the siren worm five years ago. That’s where all your power is going now, too, unless I much mistake the matter.”

“Black blades—fables for children!” Boras said, but Garan noticed they had all taken a step back.”

There is also a frost-fire sword with a liking for geasas—but to say any more than that might be a spoiler.

The Spear of Power

Spears of power are almost as popular in the epic armoury as soul-sucking swords. Tolkien’s Gil-galad carried Aiglos, which “none could withstand”, into battle against Sauron at the end of the Second Age, while the Irish hero, Cuchulain, possessed the Gáe Bolg, the spear of mortal pain. Whether the spear of power is quite as effective as a soul-sucking sword remains moot however. Tamora Pierce’s heroine, Keladry, may wield the glaive to good effect in the “Protector of the Small” series, but proficiency with a spear does not preserve Oberyn Martell in George RR Martin’s “A Son of Ice and Fire.” Nor does it appear to have done Kaladin a great deal of good, so far, in Brandon Sanderson’s The Way of Kings. (more…)

Nebula Awards nominees announced

Ellen Wright
February 20, 2013

Today, the SFWA announced the list of 2012 Nebula Awards nominees. Congratulations to all the nominees, but especially to Orbit authors Kim Stanley Robinson and N.K. Jemisin for their nominations for Best Novel! This is Jemisin’s third nomination for the award in as many years.


(US \| UK \| ANZ)	(US \| UK \| ANZ)

Novel

Throne of the Crescent Moon, Saladin Ahmed (DAW; Gollancz ’13)
Ironskin, Tina Connolly (Tor)
The Killing Moon, N.K. Jemisin (Orbit US; Orbit UK)
The Drowning Girl, Caitlín R. Kiernan (Roc)
Glamour in Glass, Mary Robinette Kowal (Tor)
2312, Kim Stanley Robinson (Orbit US; Orbit UK)

You can see the full list of nominees at the SFWA website.

My top six anti-heroes in film and literature

Francis Knight
February 20, 2013

Yes, it was supposed to be five but . . .

I love an anti-hero. I think they appeal to my non-conformist nature – they tend to do what they want, as far as possible, even if it gets them into trouble. Plus there’s that whole bad-boy vibe and, very often, a darkly cynical sense of humour, which I am a sucker for.

So, that said, here’s a few of my favourites.

6. Snake Plissken (from Escape from New York). I mean, what’s not to like? Under a totalitarian government, he thumbs his nose at them and does what he wants for the most part, at least until he’s forced to do what “they” want. Weirdly – and perhaps essentially – he appears sometimes to have more morals than the “good” guys. It does not hurt that Kurt Russell looks good in leather.

5. Conan the Barbarian. Your classic anti-hero. He’s out for himself, always. He’s dark, he’s brooding, he’s itching for a fight. But if you’ve got a bad guy you want rid of, he’s your guy. Just don’t expect him not to ravish your girlfriend while he’s saving you.

4. Sandman Slim. You don’t get much downer and dirtier than the Sandman. His saving grace is, apart from his black humour, no matter how bad he gets, pretty much everyone else is worse. He’s on your side for the right price, but if he hates the guys you want dead, maybe you’ll get a freebie. Plus he has a nice little redeeming feature of falling hopelessly in love. Even men from hell just want a bit of lovin’.

3. Jack Sparrow. He lies and cheats and steals, but he doesn’t hide it, he flaunts it. But of course he’s a pirate, and who hasn’t wanted to throw off the yoke and just sail about doing whatever you felt like, especially if it involves a bit of swashbuckling and derring do? Again, crucially, he has morals. They just aren’t quite the same as everyone else’s. (more…)

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