Archive for Orbit UK

Deals and Deliveries: THE EDINBURGH DEAD by Brian Ruckley

What do you do after “putting the epic back into epic fantasy” (in the words of scifi.com)? If you’re Brian Ruckley, author of the Godless World Trilogy (WINTERBIRTH, BLOODHEIR, FALL OF THANES), you write THE EDINBURGH DEAD. I can’t improve on Brian’s own description “a dark, heroic fantasy set in 19th-century Edinburgh. With swords and gaslamps.” Brian is writing the book now, and we hope to publish it in 2011.

Anybody who reads Brian’s post, please note that we did actually sign this contract on purpose. It wasn’t an administrative error (like the first one).

In Their Own Words: Terry Brooks on The Gypsy Morph

Terry says:

The Gypsy Morph is the third book in the new Genesis of Shannara series and pretty much wraps up the time period covered by the first trilogy.  Lots is happening.  The old world, which is ours some eighty years in the future, is ending.  The survivors of multiple catastrophes are facing a firestorm which threatens to wipe out everyone who’s left.  A small band of Men, Elves, and other species is making its way to a safehold somewhere in the Pacific NW.  Leading them is a boy called Hawk, who was the Gypsy Morph of the Word & Void series.  His little band of street kids, called Ghosts, are linked with two Knights of the Word who have allied themselves with the survivors seeking the safehold refuge.  But dangers lie in wait along the way, and an army of once-men led by demons are in pursuit. (more…)

Listening In On Iain M. Banks

Orbit is pleased to note that this September, you’ll be able to hear as well as read Iain M. Banks’ forthcoming novel TRANSITION. Little, Brown UK announced today that the audio version will be simultaneously released as a free serialized podcast, starting on publication day, September 3.

After the first installment, there will be 23 further 15-minute episodes released on iTunes in the US and UK, every Thursday and Saturday for 12 weeks, until the entire novel is available.

Maja Thomas, vice president of digital publishing for Hachette Livre said “Hachette Digital is very pleased to participate in this collaborative marketing on an author we’re publishing internationally, and to bring Iain Banks to new listeners through iTunes.”

And, what does Mr. Banks have to say? “I had barely caught up with the later half of the Twentieth Century when here I am being ensnarled by gizmology from the Twenty-First. I am left breathless by the pace of technology.”

Joe Abercrombie vs. Brent Weeks

In a literary feud certain to divide the genre, Joe Abercrombie, author of Best Served Cold (US) and Brent Weeks, author of the Night Angel Trilogy (US|UK|AUS) , have thrown down the gauntlets, stomped their boots threateningly, and now meet in the gladiatorial arena of Babel Clash.

Their first disagreement involves blogging, naturally.

Says Brent: “J.R.R. didn’t blog; George R. R. does. William Shakespeare didn’t; Joe Abercrombie does. Need I say more?”

Responds Joe: “J.R.R. would definitely have blogged had he had the technology available, but he was totally a console guy, played way too much Halo, and wouldn’t allow a PC in his home. Shakespeare? Have you read the sonnets? Obviously primitive blogs. Some of them he even printed out from his Sinclair ZX80, they have some of the original silvery whorls of printer tape in a glass case in the foyer of the Royal Shakespeare Company in Stratford. FACT.”

Be sure to tune in over the next two weeks as these two new stars of fantasy put the CLASH in Babel Clash.

ITOW’s – Jim Butcher on the Codex Alera and K.E. Mills on the Rogue Agent series

Jim says:

The first two Codex Alera novels were faced with with a considerable disadvantage–the main protagonist was a child.

Now granted, this is hardly anything new when it comes to fantasy protagonists, but it
does present a writer with a number of challenges which adult characters do not.  Children have, generally speaking, much less ability to affect the environment about them, and are forced to go about the pursuit of their goals in very different ways.

Cursor’s Fury marks a turning point in the Codex Alera for two reasons.  First, because the main protagonist, Tavi, has become a functioning adult–a young one, true, but he has earned a considerable amount of trust and responsibility through his actions in the first two books.  Second, because all of the intrigue and covert planning that happen throughout the first two books begin to boil over into open conflict, not just for Tavi, but for all the realm of Alera.

Tavi finds himself forced to become an adult very rapidly, and must take upon himself far more serious (and dangerous) tasks than he or his instructors had ever imagined.  This time, Tavi’s wits alone might not be enough to carry the day, and the young Cursor will find himself tested to his limits and beyond.

I *loved* writing this book.  It was a tremendous amount of fun.  I sincerely hope that you get half as much enjoyment out of reading this story as I did out of writing it.

Karen say’s

The Rogue Agent series is my chance to combine two of my favourite genres — fantasy and mystery. I suppose it started with the question — what happens when the most ordinary and unassuming person discovers they have more power than anyone should ever possess? How does that change them? How do they stay sane, stay the same, when so many of the rules no longer apply to them? That was the driving question that got the series started, and it’s the answering and exploring of that question that gives the series its momentum.

But it’s not all deep and philosophically serious. The Rogue Agent series also allows me to have some out-and-out fun, introducing humorous elements  to the story while still keeping it grounded in drama. Just as important, for me its characters are a family, and I love exploring the dynamics of family. I love throwing my characters in the deep end, too, and watching what happens as they try to swim before they sink.

In fact, I think it’s fair to say that the main reason I’m enjoying the series so much is because of these characters. Sometimes it feels like I’m a fly on the wall taking dictation. Someone starts talking, someone else chimes in, and the next thing I know it’s a dingdong free-for-all with Reg being sarcastic and Melissande taking her to task and Bibbie squabbling with her brother Monk and poor old Gerald stuck in the middle like the ringmaster of the craziest circus ever, trying to keep everyone and everything on track. And then prowling around the outside, the mysterious Sir Alec — who knows more than he’s telling about a great many things, and who has a few secrets of his own to protect.

At the end of the day, I love writing these books and it’s my hope that readers will love them a lot too.

Cursor’s Fury: the Codex Alera Book Three [UK] and Witches Incorporated: the Rogue Agent Book Two [UK|US] are both out this month, available from all good bookshops.

Australian fans of Jim Butcher – don’t miss Furies of Calderon, Codex Alera Book One coming September to Orbit Auz.

Charles N. Brown, 1937-2009

We’d like to note the passing of and fondly remember Charles N. Brown, founder and longtime editor of Locus magazine, who died July 12. His numerous opinions regarding sf, fantasy, its practitioners, its critics, and its media spinoffs are well recalled, by both those with whom he agreed and with whom he disagreed. It is impossible to overstate his influence on the development of the field during the past forty years.

Charles passed away in his sleep, peacefully, on his way back from Readercon, having just seen many of his friends. Ave atque vale.

Listen to Charles Stross

Following on from last week’s post about the publication of Saturn’s Children and Wireless, I see that the powers that be on the excellent SF podcast magazine, Escape Pod, have offered up their latest podcast and lo! it is none other than Charles Stross‘s ‘Rogue Farm’, which appears in the aforementioned Wireless.

So, point your iTunes, web browser or enslaved artificial intelligence at Escape Pod, and enjoy some free Strosstime: ‘Rogue Farm’, recorded at Balticon 43.