Congrats to our Gemmell Award Nominees!

The David Gemmell Award nominees have been revealed and we are pleased to announce that Orbit titles have received a total of 5 nominations across the three categories!

The Legend Award

  • The Black Prism by Brent Weeks
  • The War of the Dwarves by Markus Heitz
  • Towers of Midnight by Robert Jordan and Brandon Sanderson

The Morningstar Award for Best Fantasy Newcomer

  • The Hundred Thousand Kingdoms by N.K. Jemisin

The Ravenheart Award for Best Fantasy Book Jacket

  • The Hundred Thousand Kingdoms, art by Cliff Nielsen

 

Congrats to all of our nominees!

Side Jobs: Unlocking the hidden Dresden Files

Side Jobs: Stories from the Dresden Files is the perfect intro to the world of Jim Butcher’s P.I. protagonist Harry Dresden (think Indiana Jones meets Dirty Harry with a generous helping of Sam Spade) since no previous knowledge is required to enjoy these bite-sized tales.

For Dresden Files fans, this collection will unveil the hidden stories between the full-length novels … Expect new revelations on Harry Dresden’s half brother, Harry’s love life and don’t forget — one short story takes place an hour or so after the climactic ending of Changes!

Over the next couple of weeks, we’ll be bringing you Jim’s own introductions to some of these short stories that will begin to unlock the secrets between the files.  Uncovering the rest will be up to you.

Why Fantasy?

I am sometimes asked – why fantasy?  Of all the genres out there, why one that is often regarded as frivolous, clichéd, superficial and occasionally pornographic in a slightly weird way.  And let’s face it, fantasy has had its off days.  Glowing swords, ancient quests, and wizards who feel the need to talk in rhyme have traipsed across landscapes with more than a certain Tolkein-esque something about them, while, perhaps, lustful vampires deflower roaming princesses who curiously enough do wear white, even when mud is going to be a problem.

And I’m not here to defend this, particularly.  I mean, the defences are obvious – escapism, powerful storytelling, worlds full of could be and should be and all that jazz.  But for me, personally, it’s not why I love fantasy. (more…)

Coming Soon: Perfect Shadow, by Brent Weeks

Brent Weeks burst onto the fantasy scene in 2008 with the launch of his internationally bestselling Night Angel Trilogy, which has sold over 1 million copies worldwide.  Now, he’s returning to the world of The Night Angel Trilogy with Perfect Shadow, a novella that tells the origin story of the legendary assassin Durzo Blint.

The ebook edition of Perfect Shadow will be available in the US and the UK in June, 2011. It will be simultaneously released as an unabridged audiobook for digital download, online where books and music are sold.

In the official press release, Brent explains: “When I wrote Perfect Shadow, I was afraid it was going to fall into a publishing no-man’s land: too short to be distributed as a novel, too long to be sold as a short story. Orbit’s digital publishing has given me a way to get this story out. More than that, it’s given me the artistic freedom to write a story exactly as long as it needs to be.”
We’re glad he did! You can find the novella’s description after the jump. (more…)

Mercy and her Friends in my Back Yard

Certain times of the year I have odd dreams. Just about the time I’m drifting off to sleep, I find myself in an outdoor tea party. You know the type. There are all these women in sleeveless dresses in spring colors that match the tasteful mid-heel pumps they are wearing. In the corner, over by a small fountain, a group of middle aged (like me) women are talking.  I can’t hear what they are saying, but their harsh, high-pitched laugh rings through the garden.

“Oh,” I think, stirring in my bed and opening my bleary eyes.  “The coyotes are singing us to sleep.”

They sound like the ladies in my dreams. Their laughing voices aren’t beautiful or powerful, the way a wolf’s is, but they are incredibly cheerful.  There are several dens of coyotes who live in the field behind our house, eating the mice who live in the nearby orchards and vineyards.  The pioneers used to call coyotes “prairie song-birds”.  I keep their voices in my head as I write about my little coyote shapeshifter. There are other voices I hear as well.

In the remote valley my husband’s family used to live in, we would listen to the coyotes sing early in the evening. They were answered by any dogs nearby (usually the only ones in hearing range belonged to us). Then a lone voice would sound through the trees, maybe from miles away because that’s how sound carries out in the wilderness. And all the other noise would cease. Not a dog or a coyote would answer — only the wolves.

My poor words cannot convey the eerie majesty of their song. Safe on the porch of the big log house, we humans would smile as the wolves serenaded us. But we knew that if we’d been out walking in the dark woods, our reactions would have been a lot different.  The songs of the wolves didn’t often last very long.  Just a few minutes. When they were done, sometimes a single coyote would call its defiant, laughing answer before slinking off into the darkness.

*

Patricia Briggs is a bestselling urban fantasy author who’s perhaps best known for her Mercy Thompson series. This features the feisty Mercy Thompson who is a mechanic, a coyote shapeshifter and possesses a powerful sense of curiosity that sees her getting into more than her fair share of supernatural trouble.

Reviewing the Reviewers

When Ginia Bellafante at the New York Times and Troy Patterson at Slate condemn “Game of Thrones,” they are expressing something that genre writers and readers have experienced often with people who consider themselves the guardians of high culture.  They condescend eloquently, but without convincing arguments.  The disdain they have for the show is less for the execution or artistry of the production than for the genre it comes from.  Ms. Bellafante manages to alienate women who read fantasy (who, in fairness she does agree exist).  Mr. Patterson indulges in a couple opening paragraphs of his own fiction, padding out his wordcount with descriptions of his mail.  Neither of them make a convincing case, and cover up the fact with biting but unfunny wit.

This happens all the time.

From the creative writing professor who won’t accept “that kind” of work to the friend who sneers at you for buying the latest Harry Dresden to the professional critic who will make grand generalizations instead of real arguments, people who are interested in high culture – and in gaining social status by what they read and who they look down on – have always found an easy target in fantasy and science fiction.  If they were strapped down and shown the importance and relevance of Ursula Le Guin, Philip K Dick, Octavia Butler, Stephen King, and the other giants in the field, it wouldn’t help. Be angry at the sun for setting if these things anger you, (he says, quoting Robinson Jeffers).

But they bring up what is, to me, a more interesting question.  The editors of Slate and the New York Times have selected these people and given them high-status venues from which to express their opinions.  They expect me and their other readers to appreciate these reviews and to care what the reviewers think.  My question is: why?
(more…)

“An Unapologetic Embrace of Sentiment”

In the April 11 issue of Publishers Weekly, out this week, there is an interview with Daniel Abraham and Ty Franck, who talk about their first collaborative novel, LEVIATHAN WAKES (called “a riveting interplanetary thriller” by PW in its starred review).

“We put two very recognizable characters in an almost nostalgic science fiction world, so respecting the internal lives of the characters was important. That real unapologetic embrace of sentiment is what makes the book work.”

Only part of the interview appears in the magazine. The rest (as informative, as entertaining) appears courtesy of Rose Fox at Genreville, where among other things Daniel & Ty discuss how to manage the joint writing of such an enormous project.

LEVIATHAN WAKES (called “relentlessly entertaining” by Kirkus) goes on sale June 17.