Goodreads Readers Choice Awards: Opening Rounds

The first round of voting for the 2013 Goodreads Choice Awards is officially open! Below are the Orbit books we’re thrilled to see still on the list.

FantasyVOTE NOW!
A MEMORY OF LIGHT by Robert Jordan and Brandon Sanderson (UK | AUS)
THE CROWN TOWER by Michael J Sullivan (US | UK | AUS)
PROMISE OF BLOOD by Brian McClellan (US | UK | AUS)

A MEMORY OF LIGHT crown-tower-highRez PROMISE OF BLOOD

Paranormal FantasyVOTE NOW!
COLD DAYS by Jim Butcher (UK | AUS)
FROST BURNED by Patricia Briggs (UK | AUS)
HUNTED by Kevin Hearne (UK | AUS)

COLD DAYS   FROST BURNED   Hunted

Science FictionVOTE NOW!
EARTH AFIRE by Orson Scott Card & Aaron Johnson (UK | AUS)
ABADDON’S GATE by James S.A Corey (US | UK | AUS)

EARTH AFIRE   Abaddon's Gate

HorrorVOTE NOW!
PARASITE by Mira Grant – Parasite (US | UK | AUS)
THE REMAINING: FRACTURED by DJ Molles  (US | UK)

Grant_Parasite-HC   Molles_TheRemainingFractured-TP.jpg

Debut Goodreads Author
PROMISE OF BLOOD by Brian McClellan (US | UK | AUS)

PROMISE OF BLOOD

The first round of voting closes on November 9th so don’t forget to cast your vote before then. This is also your only chance to write-in titles for the various categories. Let your voice be heard!

Why Fun Matters – FORTUNE’S PAWN is out now!

If you look at the early reviews of my new novel, FORTUNE’S PAWN (out now, by the way! [US | UK | AUS]), you’ll find one word repeated over and over again: fun. This word also appeared in reviews of my fantasy series, THE LEGEND OF ELI MONPRESS (written as Rachel Aaron [US | UK | ANZ]), so much so that I was actually joking to my husband that I should call myself “Rachel Aaron, the fun author!”

And you know, I’m okay with that.

Fun is a seriously underrated novel component. There are plenty of serious books that make you cry or think in a different way or show you something beautiful and deep. I strive for all that in my works as well, but never at the cost of a good time. Don’t get me wrong, I enjoy a cathartic cry as much as the next person, but the books I come back to over and over again are the ones that left me smiling and exhilarated and hungry to read more.

Too often, we say “escapist reading” like it’s something lesser. Like we should be ashamed that we’re enjoying something just because it’s fun. I think that’s absurd. It’s like saying ice cream is lesser because all it does is taste delicious. We need delicious, because life is hard. Bad things happen even to the luckiest of us, and the world can too often be a stressful, dark, unfriendly, unkind place. A good, fun book is like an escape hatch from all that grim reality. It’s a safe space where we can run away and have a good, dramatic, thrilling time, and sometimes, when you really need to a respite, that can feel like a miracle.

Hearing someone had a blast reading my books is the greatest complement I can receive as a writer. I’m proud to be a trusted provider of quality life escape hatches. And while I can’t guarantee my story will change your world forever, I can promise that it’ll be one hell of a ride. So come have fun in my imagination. Let me entertain you. At the very least, you’ll never be bored.

FORTUNE’S PAWN is available now! Check out the first chapter here, and get ready for even more fun this Thursday. Rachel Bach will be joining authors Daniel Abraham (1/2 of the James S. A. Corey writing duo) and Ann Leckie tomorrow for an evening of science fiction, technology, and space opera. RSVP to the Google event today

Haern’s battles continue – A DANCE OF BLADES is out now!

I’m worried I may just forever paint myself as a hack by revealing this, but Haern the Watcher started off as nothing more than my own personal Drizzt Du’Orden clone. To those who’ve read my self-published book The Cost of Betrayal, where Haern made his first debut, this probably isn’t much of a surprise (nor to any of you who read my last post where I prattled on about how much I adored R.A. Salvatore). I had little of Haern’s backstory down in my head other than a few key highlights. He was meant to be the awesome swordfighter, the amazing dual-wielding blademaster that could take down any foe I needed to die, and who could train the main hero of the book in the art of battle. If I ever put my characters in a situation a bit too insane, I could always count on Haern to do something stupid/awesome to bail them out.

Well…people liked Haern. A lot, in fact. In that first book, he’d already established his fearsome reputation as the one willing to make the hard decisions even if others weren’t. He was brutal, but had a sarcastic sense of humor. Unstoppable in a fight, yet still shy around the girl he loved. Willing to go headfirst into a fight with a demigoddess… all because he tied a ribbon to a baby’s crib as a mark of his love and a promise of his protection. Honestly, there was a lot of me in him, peeking out from behind the badass persona, and that probably is what kept him from becoming a total caricature.

After two more books with Haern stealing the show, I decided to finally delve into Haern’s backstory. I had plenty of stuff to fill in, for the only real bit of his past I had revealed was that of his father, Thren Felhorn, and how Haern had turned against his brutal training and desires to craft him into the perfect assassin.

So with just that single key idea, of Haern as the son of Thren Felhorn, only to secretly rebel against him under a new name, I began writing A DANCE OF CLOAKS (US | UK | AUS). This was my chance, my way to figure out how such a rebellion might take place. Haern became Aaron Felhorn, a shy child growing up in his father’s shadow. His every day is spent preparing for the eventual takeover of his father’s criminal empire. Yet the influence of others, good men and women also entangled in Thren’s web, helped give Aaron a glimpse at something more, of a life where the strong protected the weak instead of preying upon them.

And then came A DANCE OF BLADES (US | UK | AUS) , fulfilling every bit of promise I’d begun with A DANCE OF CLOAKS. After Haern’s five hard years living on the streets of Veldaren, I finally had my chance to show him become the legend he was always meant to be. His mindless revenge and vigilantism would evolve into something greater. The hope that was always an important part of his character could flourish. I’d drag him up from the very gutters he slept in to take control of an entire city.  Yet he’d do it with friends at his side, relationships that would last long into the Shadowdance series and beyond. Suddenly I had a character who sought redemption for his reckless vengeance, who was willing to let go of his hatred and become a better man for his friends, who would risk his life to fulfill the total opposite of the destiny crafted for him by his father, not out of revenge, not out of pride, but simply because it was the right thing to do.

Suddenly I had a character who was no longer a Drizzt clone in my head. Now he was Haern, the Watcher of Veldaren and proud member of the Eschaton Mercenaries, and I couldn’t be happier with the result.

Book two of the Shadowdance series, A DANCE OF BLADES, releases today! If you’re new to the series then check out this excerpt from the first book, and here’s the best news — you won’t have to wait long for the next novel once you’ve finished books one and two. A DANCE OF MIRRORS (US | UK | AUS), releases next month!

The Making of a Cover: Final Books (and video!)

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

So far we have talked about the first real step of a book, Acquisitionand then what goes into Cover Briefing. Then we let our minds wander and collect inspiration and form Directions for the cover. Then we agreed on a Photographer and Illustrator. We’ve even found our hero, the Cover Model. And we found a Trampoline for him to do stunt work on safely. We decked him out in book-specific Costume & Props. We spent all day at our Photo Shoot. We received the Rough Cuts, and while the illustrator was working, Kirk was developing the Design Roughs. Then we got the Final Retouched Illustrations in and got to the design on the Final Covers. And now, believe it or not, we’re at the end of our little cover art journey, and even though you’ve seen the final book designs in the last post, I give you a treat:

It’s been a pleasure taking you through the cover process for such a fun series. We really put a ton of work into all our covers here at Orbit, and I hope you’ve enjoyed peeking behind the curtain. I don’t think people realize quite how many moving parts, how many stages of work, and how many people make up the cover process. And remember, we’re doing a whole season’s worth of covers at once. Whew.

Thank you to amazing ninja Bryce Bermingham, Photographer Michael Frost and his team, Illustrator Gene Mollica, the team at Hollywood Stunts, our video guys Eric Westpheling and Louis Rebecchi, our prop makers and costume builders and everyone who had a hand in bringing these covers to life. Thanks also to Kirk Benshoff, my co-conspirator in Art Direction & Design. And of course, thanks to David Dalglish, who thought up such a cool concept for us to make a reality.

November Events

This weekend is World Fantasy Convention in Brighton, England, and the Orbit UK crew will be out in force! Good luck to all of the nominees for the World Fantasy Award.

November 1: Mira Grant’s PARASITE tour continues! B&N #2280, 401 NE Northgate Way #1100, Seattle, WA, 7 PM

November 2: Mira Grant’s PARASITE tour continues! B&N #2262, 12000 SE 82nd Avenue, Portland, OR, 2 PM

November 1-3: Marlene Perez at the Vegas Valley Book Festival

November 7: A Night at the Space Opera, a Google Hangout online event with James S.A. Corey, Ann Leckie, and Rachel Bach, 7:30 PM

November 9: Michael J. Sullivan at the Science Fiction Association of Bergen County, 7 PM

November 22: Several Orbit authors will be participating in Barnes & Noble’s “Discovery Friday,” a nationwide event with promotions and events at local stores!

Brent Weeks wins the David Gemmell Award!

We’re thrilled that Brent Weeks has won the David Gemmell Award for Best Fantasy Novel for his book THE BLINDING KNIFE (US | UK | ANZ).

New Orbit US author John Gwynne was also honored with the David Gemmell Morningstar Award for Best Fantasy Debut for his novel MALICE (US), which will be released in the US in December.

Congratulations, Brent and John!

Cover of Brent Weeks's THE BLINDING KNIFE.    Cover of John Gwynne's MALICE

Stalking the Shadow Side

Historian Bruce Catton, in one of his many books about the American Civil War, notes that civilization is a mask, and war gives permission to remove the mask and reveal the beast that always lurks beneath.  I wager that one reason post-apocalyptic stories are so enduring is that the end of the world is one of those times when you find out what you—and your neighbors—are really made of.

ICE FORGED (US | UK | AUS) is a post-apocalyptic medieval adventure, set in the unlucky kingdom of Donderath.  A devastating war with its neighboring rival has the unexpected—and unintentional—effect of destroying the bonds that made magic a power that could be controlled by people.  Not only is the kingdom devastated by fire and storm, but the magic upon which their culture depended is now no longer controllable.  In the chaos and anarchy that follow, my characters not only find out what they’re made of, but they discover a world that is now theirs to remake.  Of course, they’re not the only ones who have ideas on what the new reality should look like—and that’s when things get interesting.

Whether you call it Catton’s “beast,” Freud’s “Id” or Jung’s “Shadow,” there’s always tension regarding the choices to be made.  Perhaps Dumbledore said it best when he talked about the choice “between what is right, and what is easy.”  Or maybe Babylon 5 was onto something in the dichotomy between the Vorlons, who asked “Who are you?” and the Shadows, who asked “What do you want?”  When there are no rules, no law and no social constraint, men (and women) either rise to be the hero, or sink to their baser nature.  Lord of the Flies is always just one catastrophic power grid failure away.

Blaine McFadden, in ICE FORGED, is acquainted with his shadow side.  He killed his father, a minor lord, to stop him from abusing Blaine’s sister.  Blaine expected to die for his crime, but the king was “lenient” and sent Blaine instead to a brutal prison colony in the arctic north, a place from which no one ever returned.  Blaine survived six harsh years, first as an inmate and then as a convict-colonist, during which he learned just what he was made of and what he would do to survive. When the homeland is destroyed and magic fails, Blaine discovers he might be the only one who can restore the magic and put things right.  He’s got a choice to make. (more…)

The Making of a Cover: Final Cover Designs

Welcome to the most in-depth, behind-the-scenes, play-by-play account of how a cover is born, from the point of view of the Art Department. We’re charting the conception and birth of the Shadowdance series by David Dalglish.

So far we have talked about the first real step of a book, Acquisitionand then what goes into Cover Briefing. Then we let our minds wander and collect inspiration and form Directions for the cover. Then we agreed on a Photographer and Illustrator. We’ve even found our hero, the Cover Model. And we found a Trampoline for him to do stunt work on safely. We decked him out in book-specific Costume & Props. We spent all day at our Photo Shoot. We received the Rough Cuts, and while the illustrator was working, Kirk was developing the Design Roughs. We even looked at the Mapmaking process. Once the illustrator was done, he sent over the Final Retouched Illustrations for Kirk to input into his designs, getting us to Final Cover Designs!

You’d think, after all the work on the design, and all the work on the images, that Kirk’s work would be over, but there is still the cover mechanical to send to the printer for the final printed books. Here’s Kirk Benshoff to go into more detail about that:

Up to this point all of the focus has been on the front cover, which is ultimately the main draw to get people to pick up the book, look at it, and ultimately buy it. But what happens if the book is not face out in a bookshelf? What do you want the rest of the experience to be once someone has the book in his or her hands? The book needs a strong shelf presence to stand out amongst a lot of other titles in a bookstore.

In all, the cover is broken out into three parts: the front cover, spine, and back cover. The spine needs to visually identify the book when it’s shelved in a bookcase. In the event that someone who is familiar with the book wants to find the next volume in the series, an identifiable spine design will make it easy for that person to find what they need. If we’re looking to court a new reader who is not familiar with the property, we want the spine to be as engaging as a tall and thin surface area can be so someone can get a taste of the cover, be compelled to take it out, and look at it.

(more…)

John Charming’s Guide to Surviving Halloween Night

John Charming has been fighting the forces of darkness for a long time – a very long time. So you could say that he’s something of an expert on the subject. So before going out tonight, check out these helpful Pro-Tips.

Okay, so imagine that it’s the seventh century.   It’s late October although they probably have a different name for that month in your village of Sucksalot, but however your calendar works, it’s that time of year when crops are dying and families are slaughtering and salting livestock so that they’ll have enough meat to survive the winter.  There are no antibiotics except for a few plants with mild anti-septic qualities and maybe a few poultices whose ingredients include boiled urine, so now that flu and pneumonia seasons are coming around, villagers are dropping like pants at a Vegas convention.   Death is everywhere, literally and symbolically.  Souls are travelling through doorways between the physical world and the spirit world a lot more frequently, and this makes it easier for metaphysical predators from the other side to slip through.

So what do you do?  Containment and appeasement rituals.  You sacrifice some of your slaughtered cattle and toss their bones in the fire so that beings who can’t physically digest the food can still mingle with its essence.  Your local priest leads crowds of children dressed like spirits from house to house to collect donations for the dead.  You hollow out turnips or pumpkins and carve scary faces into them and light fires in their center because this is symbolic of life surrounded by death, of light surviving in the darkness.

That’s the origin of Halloween.  Lighting a candle in the darkness and praying for survival.

So how can we 21st century denizens protect ourselves on a holiday that is traditionally the supernatural world’s equivalent of an office party?  Well, common sense rules like staying in well-lit areas and keeping crowds around you still apply.  The truth is, on this particular holiday it’s not about protection so much as deflection.  You’re never going to make yourself invincible – but you can make yourself less attractive.  For the spirit world, Halloween is a smorgasbord.   You don’t want to be the banana pudding with vanilla wafers crumbled in, you want to be the pickled fish that probably should have gotten tossed out a day ago.

With that in mind, here are a few basic pointers.

Tip 1:  BE GOOD FOR GOODNESS SAKE

It isn’t Santa Claus that’s coming to town, it’s spirits that can’t let go because they have unresolved issues.  We’re talking anger management, self-loathing, greed, selfishness, or revenge fantasy type issues.  The kind of souls who populate that train station between our life and the life that comes after are basically like the worst ex-boyfriend or ex-girlfriend that you’ve ever had.  And one of the key principles of magic is that like is attracted to like.  So on a purely pragmatic level, it might make sense to invite someone who doesn’t run very fast to come with your group so that you can leave that person behind to distract pursuers if things go to hell, but you know what?  That kind of thinking is messed up, and not all threats are physical.  That kind of thinking will cause beings looking for weak or evil minds to come knocking on your mental door.   By the same reasoning, this is a season where the worst types of cunning folk come looking for harvest sacrifices, and it’s not the best time to be a virgin.   So on one level, becoming unchaste might be logical, but you also don’t want to do anything that’s going to damage your self-esteem too close to D-Day.  There’s a line where being practical is good, but being ruthless and selfish are counter-productive.

Or to quote Austin Powers, “Oh, Behave!” (more…)

A Big Easy Halloween

“Some cities are naturally holiday cities. London is a Christmas city. Paris is a Valentine’s Day city. And no place in the world is a Halloween city more than New Orleans.” –The opening lines of “RUSTED VEINS (US | UK)

While I am a huge fan of both New Orleans and Halloween, I not yet had the good luck to be in the Big Easy on All Hallow’s Eve. However, I’ve been to NOLA many, many times over the last decade, and I’ve researched the city’s Halloween traditions extensively (for my book GREEN-EYED DEMON [US | UK | AUS]). Even though we can’t all just drop everything and go to New Orleans to celebrate Halloween this year, it doesn’t mean we can’t bring it to our own houses.

I am not exactly a party planner (except for fictional ones where budget is no object), but I do love to attend a good party, so I’ve put together my dream New Orleans-themed Halloween party. I’m tempted to throw this party to celebrate the release of my Sabina Kane Halloween novella “Rusted Veins.” Since it is available this week and happens to be set in New Orleans, the timing couldn’t be more perfect.

The Invites:

chicken footTie a calligraphied invite to a chicken foot or gris-gris bag for a charming voodoo touch. If it’s in the budget, have a second line band deliver them door-to-door while playing a funeral dirge.

The Music:

  • “Bloodletting” by Concrete Blonde
  • “Hoodoo” by Muse
  • “Voodoo Child” by The Jimi Hendrix Experience
  • “The Witch Queen of New Orleans” by Tom Jones
  • “504” by the Old 97s
  • “Louisiana Blues” by Muddy Waters
  • “Apache Rose Peacock” Red Hot Chili Peppers

The Costumes:

Guests will be invited to dress as their favorite real or fictional New Orleans resident. I’ve included some suggestions below.marie laveau

For the ladies:

  • Marie Laveau, Voodoo Priestess
  • Madame Delphine Lalaurie, Famous murderess
  • Lulu White, famous Storyville Madam
  • Blanch DuBois or Stella Kowalski from Streetcar Named Desire
  • Anne Rice, author
  • Bella Donna Boudreaux, from X-Men (more…)