The Birth of the Comarré

Kristen Painter’s House of Comarré series continues this month with FLESH AND BLOOD. Book 3, BAD BLOOD, will be available in December. You can keep up with Kristen at the official Facebook page.

One of the questions I get asked most often is where the idea for the comarré came from, these hybrid humans bred to be blood slaves for the vampire nobility. Usually I say that I’ve carried the idea of Chrysabelle around in my head since college, which is true, but that was just a blurred image of a woman in a slinky white dress dipped low enough to reveal a gold tattoo on the small of her back. It wasn’t the comarré, exactly. More like the seed that grew into Chrysabelle. (more…)

Interview with Uri

In honor of my Days of the Dead blog tour, I’d like to introduce you to one of my vayash moru (vampire) characters from the Chronicles of the Necromancer and Fallen Kings series.  Vayash moru play an important part in my books, aiding–and sometimes opposing–Tris Drayke and Jonmarc Vahanian.

Here, I’d like to introduce you to Lord Uri,  a member of the Blood Council.  In life, he was a thief and a card sharp, and in death his ethics have been questioned even by others on the Blood Council.  He is not overly fond of mortals, especially not Jonmarc Vahanian, with whom he has repeatedly sparred verbally. 

Q:  What has immortality taught you?

A:  Mortals never learn.  This creates great opportunity for those who do.

Q: You have repeatedly shown disdain for Jonmarc Vahanian, yet in the end, you have grudgingly chosen to side with him rather than against him.  Why?

A:  Jonmarc Vahanian annoys me.  I knew his kind quite well when I was mortal.  And while he made a lot of money for me when I bet on hi back when he was a Nargi fight slave, I find him arrogant in his abilities. But I have to admit, he is good at fighting.  And after last year’s vayash moru insurrection, I find myself owing him–a damnable situation.

Q:  Like most of the Blood Council, you chose to ally with the mortals of the Winter Kingdoms against the Temnottan invaders.  Why?

A:  In this, the living and the undead have common cause.  Temnotta will not be a kind master if the northern forces prevail.  I endured far too much of that kind of oppression in Nargi to serve another such master.  Once again, to my great annoyance, I find Jonmarc Vahanian and I to be on the same side.

Q:  What is your biggest disappointment about immortality?

A:  That despite superior strength and speed, my kind still fall prey so easily to those who would destroy us.

Please check out my Days of the Dead online blog tour—there are lots of other free downloads, drawings for free books, excerpts, interviews and fun—details are at www.ChroniclesOfTheNecromancer.com

Wallpapers for THE HEROES by JOE ABERCROMBIE

I loved working on these epic covers of badassery (technical term) with Gene Mollica & Michael Frost…so now that The Heroes is out, it’s totally time for wallpapers! I think these covers are set to volume 11, just like Joe Abercrombie’s writing, so if you like gritty, brutal, real-life epic fantasy with fabulous characters and a helping of political backstabbing, then you really should pick up The Heroes, out now in Trade Paperback.

Here’s all the wallpaper download links…if anyone needs a specific dimension made, let us know!

1024 x 768 | 1280 x 800 | 1440 x 900 | 1680 x 1050 |1920 x 1200 iPhone | iPad

Form, Structure and Scouting

“What I love about this,” the director said, “is the form of the piece.”

I locked my expression into ‘polite neutral’ and tried nodding and smiling.  We were in a scout hut in Kew, rehearsing a play that I’d written for a reading in a few weeks time, and the director was twiddling a pencil between his fingers in the manner of a repressed creative genius just waiting to strike that rogue comma with the sharpened point of HP.

“I love the way the form and the structure both reflect the cascading nature of the language and narrative as it builds out of control from the prime inciting incident to the moment of character curve completion.”

I kept on smiling.  This was, I felt, the most polite thing I could do under the circumstances.  I feel I should add that the director on this particular literary project was nothing if not brilliant.  A damn good director, a very good bloke and a man I would happily write for again.  But, and this was a bit of a sticking point for me, he also knew damn more about writing than I did.

This is not the same as being able to write – he confesses that he can’t write for toffee – but on the other hand, he’d had a lot more training in the area by which he was able to discover this truth.  Whereas I have always just… muddled by.  Working with him was, therefore, something of a painful reminder of a constant truth… that sometimes being a good writer, is not the same as being a good author.

Talking about your literary works is, I personally think, one of the hardest things a writer has to do.  There are a lot of problems stacked against you, of which the first and usually most deadly, is personal bias.  As the writer, I naturally know, as no one else can, that my epic, 700 page-long tome – ‘What I Did That Tuesday Afternoon When I Had Gastroenteritis’ – is nothing short of a scintillating work of literary genius.  My heart, my soul, and quite possibly other bodily fluids, judging by the title, have been poured into this, along with a great deal of time and a lot of earnest thought.  When, therefore, my editor turns round and suggests that it’s a light-hearted romp beside sold alongside ”Funny Jokes For Farting Fathers’, a certain blindness overwhelms my otherwise calm literary judgment.  Under these circumstances, answering questions coherently about ‘Tuesday Afternoon’ and why it and it’s puce-coloured cover are sat in the Silly Section of the bookshop, and even the most thoughtful of authors struggle to see through their own bias to a clear and sensible reply. (more…)

Gail Z. Martin’s Days of the Dead Blog Tour

Gail Z. Martin is hosting her annual Days of the Dead blog tour, and she’s kicking it off with  giveaways, special interviews, downloadable treats and news.  She’s also sharing four different excerpts from her upcoming book, THE DREAD, which is now available for pre-order.  Here’s excerpt #1 of four—enjoy!

If you’re new to The Fallen Kings Cycle you can dive in with THE SWORN, which is out now. Enter below for a chance to win a copy — we’ll pick three winners on Friday!

Press release: Orbit UK has recruited commissioning editor Jenni Hill

Orbit, the Science Fiction and Fantasy imprint of Little, Brown Book Group, is delighted to announce that Jenni Hill will be joining the Orbit UK team as Commissioning Editor on 31 October 2011, reporting to Editorial Director Anne Clarke. Hill joins Orbit from Solaris Books, where she has worked with a variety of science fiction, fantasy and horror authors such as James Lovegrove, Gail Z. Martin and Emily Gee.

Anne Clarke says: “We are delighted to have found such an enthusiastic, energetic and deeply knowledgeable editor to join our team. I think Jenni will bring a lot to the role and we’re all looking forward to welcoming her aboard at the end of this month.”

Jenni Hill says: “My time at Solaris has been a fantastic experience, and though I’m sad to say goodbye to them, I couldn’t resist the opportunity offered by the Orbit editorial team. They already have a brilliant list of authors and I’m looking forward to finding some new talent, too. I can’t wait to get started!”

Turn The Wheel of Time

The Wheel of Time turns and ages come and go . . .

As we celebrate the October paperback publication of TOWERS OF MIDNIGHT, the penultimate volume of one of the greatest fantasy series of all time, the Wheel revolves towards its final chapter – A MEMORY OF LIGHT – in November 2012.

Join The Wheel of Time in its revolution and read the series in time for the final book. 13 books. 13 months.

To win an exclusive Wheel of Time cotton bag, be one of the first 500 people to ‘like’ our Turn The Wheel of Time Facebook page and complete the entry form. We’ll be doing lots of promotion throughout the year on this page, like breaking WoT news and exclusive content, so it’ll be a very exciting countdown to Robert Jordan’s legendary series. (Please note that this page is not available for US and Canada Wheel of Time fans as we don’t have the legal right to publish or promote in those markets).

A big thanks goes to the band Blind Guardian for letting us use their majestic Wheel of Time song for our trailer.

Ten Things I’ve Learnt about Writing about Death

I’ve written about Death a little bit these last few years, just in case you hadn’t noticed, and I’ve learnt a thing or two, or (to tie in with the title) ten.

 

1. People have to die.

Or Death just twiddles its bony thumbs, and starts a lawnmowing business. And then people die either of boredom, or because you’ve kind of ripped off Terry Pratchett a little bit, and you’re answering emails asking if you realized that that was the plot of Reaper Man (sort of).

 

2. Death isn’t a joke.

Death can be cruel, ridiculous, and tragic, but if you treat it as a joke, it becomes meaningless. I was writing comedy, but not farce. Death’s the punchline, but it isn’t the joke. Though sometimes you just want to tell the one about Death walking into the bar – it’s a real killer.

 

3. Death wants all the cool lines.

Seriously, it does. I think the moment a character says, “ I am Death,” there’s a certain amount of inescapable gravitas. Though if it then reveals that it can’t really play chess all that well you’re undercutting it a bit – unless you have this story where Death has entered a chess tournament in order to win enough money to say an orphanage from evil property developers. Remember, with cool lines comes great responsibility.

 

4. Not everyone dies every day.

Even in a book about Death. Death itself isn’t a story, it’s an ending, or a beginning (depending on how you want to look at it). People die, people live to die another day, or something like that.

 

5. Death isn’t dying.

Death really isn’t dying – dying through illness or accident is the sort of stuff life manages (you’ll notice how life doesn’t usually bother with the proper noun, it figures it doesn’t need the capitalization to sound important, life’s a bit smarmy). Death can be an ending to suffering. It’s not the suffering itself. People often get the two mixed up. Which is why Death is frequently regarded as an object of horror, or even a monster. But don’t blame the messenger. Death’s really just there to keep the dead company until they pass onto the other side/place/state of being – it even keeps a game of travel Scrabble in the pockets of its cloak*.

 

6. Death hasn’t had a pale horse since it bought its first car in 1928.

 Hardly surprising, I mean, horses are high maintenance, and my Death lives in a city that isn’t exactly horse friendly, and when was the last time you saw a stables outside a morgue, mortuary, gym or anywhere else in town?

 

7. People have been writing about Death since writing began.

Death, the Underworld, and dying they’ve been obsessions of people and cultures for a very long time. I guess that’s what happens in a world where things die. There’s a rich history of Death in mythology and popular culture. Everything from Ankous to Psychopomps and sparrows. Actually you’d be hard pressed to find anything that hasn’t been used as a symbol of death – except, maybe toothbrushes.

 

8. Scythes are kind of cool.

They really are, there’s lots of excellent words that concern themselves with scythes, like did you know that the shaft of a scythe is called a snath? And that to lop something off is to snathe. Next time you get a haircut tell them you want a thorough snathe, make sure they finish well above the neck.

 

9. Death is a good dancer.

Well, actually, no. Not that that matters because the Danse Macabre is really just a conga line, and that’s easy as long as you can kick in time with the music.  However, Death has an exceptionally awesome taste in music. At least in my books it does. Every good death needs a brilliant soundtrack (hmm, I think I have the subject of my next blog post).

 

10. When writing about Death, you’re really writing about life.

Death is meaningless without life. You don’t get a great ending, narratively speaking, without something at stake – usually the bigger the better. In the Business of Death all life on Earth is threatened by an ancient and very angry god. There’s a great deal of irony involved when only Death can halt the Apocalypse. But I guess it’s true what they say there’s only two things you can count on in this life Death and taxes, and when did the taxation department last save the world?**

 

*This may not be Death Works canon.

 

**I’m sorry, I’m sure the Taxation Department is always saving the world. In fact, if there isn’t a series about a Paranormal Tax Investigation Agency there should be – just send me four percent of the royalties.