Archive for October, 2007

Something to Crow About

Spindrift by Allen SteeleSFCrowsnest has just added some fantastic reviews of classic and new Orbit books. Now’s your chance to check out some great SF & Fantasy you might have missed:

Of Spindrift, the latest book in Allen Steele’s critically acclaimed Coyote series, they say:

Steele’s clean, crisp writing and careful scientific invention reminds me of Clarke’s Rendezvous With Rama. There’s a definite feel of classic Science Fiction storyline brought up-to-date with technology and science. That’s no bad thing and the easy pace and good characterisation make it a pleasure to read.

Of Moving Target, Elizabeth Moon’s military SF thriller, they say:

The last eighty pages are complete page-turners . . . If you like space opera then this is a series I think you would enjoy.

The Atrocity Archives by Charles StrossAdding to the praise for Charles Stross’ The Atrocity Archives, SF Crowsnest says:

Stross mixes the weird monsters of a Lovecraft novel with the gadgets and clever action of a techno-thriller. . .an enjoyable romp through a crazy mix of genres.

And for the fantasy readers out there, here’s what they say about Ian Irvine’s The Fate of the Fallen:

[Irvine] delights in creating sweeping sagas and great journeys for the characters. There are some wonderful colourful passages of people and landscapes. What he really likes is to bring his characters right down into the core of themselves as they face great challenges.

Space Opera Duet

Saturn Returns by Sean WilliamsWords of praise in the latest Aurealis magazine for two of Orbit’s top Australian scribes, Sean Williams and Marianne de Pierres:

Sean has produced some good work in the past; he’s had the opportunity to flex his writing muscles in a wide variety of projects. In Saturn Returns, I felt a new assuredness, a strength of voice that was compellingly entertaining and thought-provoking. Saturn Returns is Sean’s best yet — go out and buy it.

Dark Space is an exciting adventure with plenty going on to keep you turning the pages. The story is primed to enter uncharted territory at the end of Book One. Marianne has a knack for creating compelling characters in complex realities — the Parish Plessis novels showed us that — so this is one to watch as it develops through the next two volumes.”

Dark Space book jacketA shout out to former Aurealis editor, now reviewer, Keith Stevenson for his insightful reviews, which will appear in full in issue #38.

Keith also had some nice things to say about Orbit’s new global presence, so it would be rude — rude, I say! — not to repeat some of that niceness here:

The enthusiasm comes from what’s happening in the Australian market lately. This could be another false dawn — we’ve been through so many — but with the arrival of Hachette Livre and its much respected imprint Orbit into the local arena there is a level of energy and enthusiasm that I haven’t seen for a long while in Australian genre publishing . . . And so to another Orbit SF release (see what I mean: the release of two Australian science fiction books in as many months is unheard of in recent years).

Thanks, Keith. I hope we can continue to excite SF readers in Australia — and all around the world — for years to come!

Ken MacLeod: Fact or Fiction?

We’re delighted to see that Ken MacLeod has gone from writing SF to appearing in an SF short story! The critically acclaimed author of The Execution Channel and the Hugo, Clarke and BSFA Award-nominated Learning The World, gets a mention from a character in Security Question by Ramon Rozas III, an online short story appearing at Every Day Fiction:

“How far in the future do you come from?”

“Pretty far, actually. I made it to the ships, if that means anything to you.”

“Should it?”

“I can’t remember whether you’ve read Ken MacLeod yet.”

“Never heard of him.”

“Oh, you will. Anyway, I’m far enough in the future that I have to offload memories from this old brain,” the man tapped his skull, “and store them elsewhere.”

Go on, check it out. And then spend some time contemplating which, if any, MacLeodian future the time traveller comes from. Hey, why not? It’s the weekend, after all . . .

Sputnik and Saraykeht

The Long PriceToday is 4 October. That means two things:

1. It’s the Fiftieth Anniversary of the launch of Sputnik, the Soviet satellite that lit the fuse on the Space Race and captured the hearts and minds of millions of young SF fans around the world (and as an aside, if any of you haven’t seen October Sky or read Homer Hickam’s extraordinary memoir, Rocket Boys, upon which it was based, do so immediately!).

2. It’s publication day for Daniel Abraham’s extraordinary Orbit debut, The Long Price. Comprising A Shadow in Summer and A Betrayal in Winter (published separately in the US), The Long Price is an original and elegant debut that has already garnered effusive praise from some giants of the genre:

‘A thoroughly engrossing debut novel from a major new fantasist. A poignant human tale of power, heartbreak, and betrayal’ — George R.R. Martin

‘An architecturally-perfect fantasy world filled with a fascinating, highly distinctive set of characters’ — Walter Jon Williams

‘One of the most elegant and engaging fantasies I’ve read in years’ — Jacqueline Carey

‘Intricate, elegant, and almost hypnotically told, this tale of gods held captive will hold you captive, too’ — Connie Willis

Don’t know about you, but I’d take notice of these folks — I mean, they’ve only got about two dozen Hugos and Nebulas between them! I’d also get used to seeing Daniel Abraham’s name on award short lists — as George R.R. Martin notes, he’s a major new voice in fantasy fiction.

Number One!

Congratulations to Karen Miller, whose second novel, The Awakened Mage (out this week), has charged straight to the top of the SFF paperback bestseller charts in the UK. In the US, both The Innocent Mage and The Awakened Mage are among the Top 5 mass-market fantasy bestsellers. Karen is very happy — and so are we!

Dystopian Dreamin’

Over at BN.com, Paul Di Filippo writes about the history of SF dystopias, and says of The Electric Church:

Somers’ strategy of blending Invasion of the Body Snatchers with allusions to contemporary cults coats this profane, kickass thriller with a veneer of social commentary reminiscent of some Galaxy-era novel reinterpreted by Warren Ellis.

Read the whole piece here.